Story Quotes
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'Sanam Re' is an amalgamation of an emotional love story and a visual treat.
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I worked in the story department for years on 'Cars' and 'Toy Story 3.'
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My job is to tell a story, and the decisions about the casting have to be honest.
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It's a cliche, and in a way it's a conservative idea about fiction, but I did learn the hard way that plot does need to dictate the story.
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Give yourself an impossible task and solve it - then you've got a really good story.
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The Beatles' story is all of our stories.
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The people who knew me and knew my work and trusted me, they knew then as they do now that I've never fabricated or plagiarized a story. People who know me know I didn't do this.
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Oh yeah, we got plenty of incentive. I just know that I couldn't wait to see Mariano (Rivera) coming in there and getting the last out. We didn't get that last year. But now we've got one more game to play to finish off this story.
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The filmmaker's got to make it his story and the actors have got to make it their story.
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'Air' is very placeless - it's set in many different countries, and much of the story is about going places rather than being places. 'Air' is about travelers, and I'm a chronic traveler.
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The coming-of-age story has sort of become a joke. It's something to capitalize on, and that is painful because when you are coming of age - when you are going through something like that - the genre is so meaningful.
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I'm inspired every time I see a role I'd like to play, an actor turn in a well crafted performance, a story I'd like to tell, direct or produce.
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Film-makers must decide what story to tell and how to tell it.
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It is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another.
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The story is more important to me than the part.
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It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.
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When readers close the covers on 'Running the Rift,' I want them to understand that it is not a genocide novel but rather a story of hope and rebirth.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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I've directed enough in the theatre and a couple of films to know that - to feel fairly secure that if I find a story that I really like I can probably get it done somewhat.
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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I wrote my first story when I was six or seven.
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A story really isn't truly a story until it reaches its climax and conclusion.
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What we wanted to do was tell a story that felt relatable to anyone who's been a teenager. We haven't all been a second-generation Pakistani-American girl with superpowers, but we've all been 16 and awkward.
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In seeking truth you have to get both sides of a story.
