Story Quotes
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I guess you can stay sort of true to the story; you don't have to artificially bring the character back from whatever doom you've designed for them, you can tell the story, I suppose, honestly.
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The Beatles' story is all of our stories.
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Maybe because I'm a child of the '80s, but for me, a sequel is a story that follows the previous one, and sometimes if you haven't seen the original, then you don't understand the second one. Like 'Back to the Future 2.' If you haven't seen the first one, you're not going to get anything out of 'Back to the Future 2.'
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Of, course it always cheers a news editor when a story has what we describe as 'legs' therefore it, erm, runs.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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There are so many stories from the Midwest that should be told. L.A. tells one story, and it's often about itself.
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I wanted to use an urban setting with a small-town feel for a story that took a character through her childhood into her adulthood, with a background in arson investigation, ... I chose Baltimore and its delightful Little Italy section and was able to depict that neighborhood feel, the family ties, and I hope a good story about why choices made define who we are and who we become.
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Why if I had half a chance, I could make an entire movie using this stock footage. The story opens on these mysterious explosions. Nobody knows what's causing them, but it's upsetting all the buffalo. So, the military are called in to solve the mystery.
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When everyone around you is doing all this incredible pirate acting and you're having to sort of play the straight guy and move the story forward, you kind of want to be doing some of that pirate ripping it up stuff, but in truth, to be a part of that project is what I love.
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I believe clothing tell a story.
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What we wanted to do was tell a story that felt relatable to anyone who's been a teenager. We haven't all been a second-generation Pakistani-American girl with superpowers, but we've all been 16 and awkward.
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I wanted to write a sci-fi story that would appeal to young women. Loads of girls like sci-fi, but it's more culturally associated with guys.
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A good writer is basically a story teller, not a scholar or a redeemer of mankind.
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The more ways you can tell a story and paint a picture, the better it is.
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The coming-of-age story has sort of become a joke. It's something to capitalize on, and that is painful because when you are coming of age - when you are going through something like that - the genre is so meaningful.
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When readers close the covers on 'Running the Rift,' I want them to understand that it is not a genocide novel but rather a story of hope and rebirth.
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I'm pretty ruthless about that; I think when you sign over your story, you sign over your story.
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I'm finding now more and more that nudity is so rarely serves the story in any film.
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It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.
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In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.
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I worked in the story department for years on 'Cars' and 'Toy Story 3.'
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I think it will be a different story tonight.
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One day, I will tell my story... where I came from and where I am now and how I remained positive.
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They're pretty simple. They don't have a lot of fancy gingerbread details. Everything is straight and flat and usually one-story.
