Story Quotes
-
Let the novelists fret about consistency - story writers should feel free to jam; to get things right in new, surprising ways by allowing themselves, now and then, to get things wrong.
Walter Kirn
-
Ratings have changed, viewer habits have changed and the options for the audience have grown enormously, but I don't think how you tell a story is fundamentally different.
J. J. Abrams
-
Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
Ira Glass
-
Endings are the hardest part. I find there's a great relief that at the end of every episode, every hour of TV you produce, while you want a proper and satisfying ending, it doesn't have to end The Story, in capital letters.
Vince Gilligan
-
The inciting incident is how you get (characters) to do something. It's the doorway through which they can't return, you know. The story takes care of the rest.
Donald Miller
-
I have no problems with remakes, and I think it's interesting. I mean, coming from the theater, we've been remaking 'Hamlet' for a hundred years, so it's no problem to me at all. A good story can be told in many different ways in different places; I just think it's interesting.
Baltasar Kormakur
-
Reporters do decide what is news, but they don't invent it, even if they sometimes become part of the story by risking their lives in a danger zone, as in the case of ABC's Bob Woodruff and Doug Vogt.
Rachel Sklar
-
There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
Ira Glass
-
A wonderful story collection set between one place and another and shaped by a fearless sense of comedy.
W. G. Sebald
-
Obviously, for me, story is first and foremost, even in the face of the attractive idea of having all the cast there, or having a great piece of talent come to it.
Vin Diesel
-
When I'm writing the first draft, I'm writing in a very slovenly way: anything to get the outline of the story on paper.
Pat Barker
-
Because when I go places and I talk to kids and I talk to parents and I talk to athletes all over, and they look at my story and they see a person, African-American or not, they see something that they can relate to.
Cam Newton
-
At times, the curve/fat/plus convo tends be this 'out of the dark' story, like, 'I used to be insecure, but now here I am.' But that is not my reality, and for most of the people, that isn't their reality, either.
Paloma Elsesser
-
Slipstream fiction is usually defined as fiction with a contemporary setting in which story elements are mimetic (that is, seem real) - except for one or two eerie strangenesses. Unlike outright fantasy, these are not explained or integrated into an alternate-reality setting.
Nancy Kress
-
I built a company, a team, and a brand that started right here. It was an American success story, and it started right here in Arizona.
Doug Ducey
-
I think it will be a different story tonight.
Phil Jackson