Story Quotes
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We need the historian and philosopher to give us with trenchant pen, the story of our forefathers, and let our soul and body, with phosphorescent light, brighten the chasm that separates us. We should cling to them just as blood is thicker than water.
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One of the pillars of 'Cyrano' is recreating a love story and, like any archetype, these great stories tend to be captivating, among other things, because they are made of those universal things that move us.
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Every animal has his or her story, his or her thoughts, daydreams, and interests. All feel joy and love, pain and fear, as we now know beyond any shadow of a doubt. All deserve that the human animal afford them the respect of being cared for with great consideration for those interests or left in peace.
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Every leader is telling a story... about what he or she values.
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I don't read for plot, a story 'about' this or that. There must be some kind of philosophical depth rendered into the language, something happening.
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'Love Story' I wrote on my bedroom floor in about 20 minutes.
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'Somnia' is a story about loss and, I guess, what you're willing to do to have closure and try and feel whole again. It's a story of redemption in a sense. I don't want to give too much away, but it's a heartbreaking story that's incredibly terrifying.
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If someone wants to be a part of your life, They'll make an effort to be in it. So don't bother reserving a space in your heart for someone Who doesn't make an effort to stay. ERASING someone from your mind is so easy... But REMOVING the same person from your heart is ANOTHER STORY. Pin It Love can sometimes be magic. But magic can sometimes... just be an illusion.
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I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way.
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I don't think there is another person in America that wants to tell this story as much as I do.
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The story of U.S. policy during the genocide in Rwanda is not a story of willful complicity with evil. U.S. officials did not sit around and conspire to allow genocide to happen.
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Writers always say, 'I always knew I wanted to be a writer; when I was a three-month-old foetus a pen formed in my hand and I began to scratch my first story on the inside of my mother's womb.' I started later, in my early twenties.
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I've always been drawn to storytelling, and acting is the most immersive form of storytelling you can get involved with! You're actually in the story when you're acting.
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We know that we're not supposed to be racially biased, and we don't want to think of ourselves as racially biased, so we tell ourselves a different story.
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The story of Warner Brothers' movie, 'Mildred Pierce,' recounts the enormous and unrewarded sacrifices that a mother (Joan Crawford) makes for her spoiled, greedy daughter (Ann Blythe).
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A reader is not supposed to be aware that someone's written the story. He's supposed to be completely immersed, submerged in the environment.
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Everybody has their own story - it's who you are. If I wasn't five-foot, I wouldn't be who I am!
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It's the messiness of life that ultimately leads you to the most interesting things. Everyone asks what you would do over, and I don't know because then you have this story to tell, and if you did everything over and made it perfect, what would you talk about?
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No love story worth telling is easy. The hills and valleys that make a relationship, in my opinion, is really a dynamic worth watching.
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I didn't really understand what you did when you went in front of the camera. And then suddenly I just understood it. When you're in a play, you carry the story, but you don't have to do that in film.
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Overpopulated fiction can be so confusing that readers put the story down. Under-populated novels can seem claustrophobic or boring. You want the right number of characters for your particular work.
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We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
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I've always been a science fiction fan since I had understood the conception of what a story was.
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I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that.