Story Quotes
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To everyone, Jesus issues an invitation to abandon the story they will lose themselves in, and instead, to enter the story they will find themselves in.
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It's the messiness of life that ultimately leads you to the most interesting things. Everyone asks what you would do over, and I don't know because then you have this story to tell, and if you did everything over and made it perfect, what would you talk about?
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The first thing I look at with a project isn't who's directing, whether it's a big film; it's the character and whether I want to tell her story.
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Sadly, for those who are busy sawing off their feet to escape the trap of cliches, every story is chock full of them and sometimes depends on an especially hoary one.
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Every animal has his or her story, his or her thoughts, daydreams, and interests. All feel joy and love, pain and fear, as we now know beyond any shadow of a doubt. All deserve that the human animal afford them the respect of being cared for with great consideration for those interests or left in peace.
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Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.
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You have to be really open to your acting partners and believe in the story.
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The whole story of migration and what that has done in interconnecting the planet is obviously something I've written about a lot.
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We need the historian and philosopher to give us with trenchant pen, the story of our forefathers, and let our soul and body, with phosphorescent light, brighten the chasm that separates us. We should cling to them just as blood is thicker than water.
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I feel that for the story of 'Romeo and Juliet' to be impactful, it has to be believable, and there has to be a certain level of chemistry between the two characters.
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What joins the Americans one to another is not a common ancestry, language or race, but a shared work of the imagination that looks forward to the making of a future, not backward to the insignia of the past. Their enterprise is underwritten by a Constitution that allows for the widest horizons of sight and the broadest range of expression, supports the liberties of the people as opposed to the ambitions of the state, and stands as premise for a narrative rather than plan for an invasion or a monument. The narrative was always plural; not one story, many stories.
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I love the solitude of reading. I love the deep dive into someone else's story, the delicious ache of a last page.
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Before I studied story, I was trying to write a novel, and it was terrible. It wasn't going anywhere, and I couldn't figure out what I was trying to do. It was really hard; much harder than I thought it was going to be. Now that I've studied story, I think I'd have a different approach and maybe I could actually get it done.
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It is possible that our race may be an accident, in a meaningless universe, living its brief life uncared for, on this dark, cooling star: but even so - and all the more - what marvelous creatures we are! What fairy story, what tale from the Arabian Nights of the jinns, is a hundredth part as wonderful as this true fairy story of simians! It is so much more heartening, too, than the tales we invent. A universe capable of giving birth to many such accidents is - blind or not - a good world to live in, a promising universe. . . . We once thought we lived on God's footstool, it may be a throne.
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I believe in anything that will engage the audience and make the story more effective.
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I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
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There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.
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The story of Warner Brothers' movie, 'Mildred Pierce,' recounts the enormous and unrewarded sacrifices that a mother (Joan Crawford) makes for her spoiled, greedy daughter (Ann Blythe).
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But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
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Any story that I can consider worth telling is one that you could tell in words.
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Whatever claim you use to get attention, the advertisement should tell a story reasonably complete.
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If the goal of an actor is to tell the best story ever, there's no higher story than Jesus Christ.
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As for me, this is my story: I worked and was tortured. You know what it means to compose? No, thank God, you do not! I believe you have never written to order, by the yard, and have never experienced that hellish torture.
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The story with anorexic girls - nobody works with anorexic girls. That has nothing to do with fashion.
