Film Quotes
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The Singapore Media Festival brings together the most important Film and TV events in Singapore under one umbrella. With media convergence, I foresee that the SMF will encompass even more content formats in future, and will keep Singapore on the cutting-edge of media development. I am confident the SMF will be a signature media event for Singapore and the world for many years to come.
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The possibilities are endless for me - Broadway, TV, music and film.
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I would like to make a film to tell children "it's good to be alive".
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I've never written an original piece for film; all the original things I've done are for the stage.
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You invest into the future, and that's how young people become human in best sense of it - through the great experience of listening a Müller symphony or to see a great play by Tennessee Williams, experience something in a ballet, in a film.
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It is time for me to chuck in the sponge. To retire from films and stage. The heart for it has gone out of me: it won't come back.
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I'm really proud of Blair Witch Project as a film, but as far as the cultural phenomenon of it - that was just weird luck.
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I'm a huge fan of 1930s horror - Universal films. I grew up with them and I just absolutely love them.
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I love the opportunity to do lots of different kinds of projects - independent films and big studio epics as well.
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Hey, hey, ... No filming after 15 minutes. Get those cameras out of here.
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I think the tools were always available, for decades and decades, to make your own film and be creative. I don't think people had to wait for YouTube to do this type of small project. YouTube, I think it's great. I have this idiotic satisfaction. And I think there's a bit of that in YouTube. You share, true, but it's centralized, and it's already sort of controlled. I'm more for something that's not a centralized medium. Like doing your own film and screening it yourself. You cannot control people doing that.
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Whether that's an action film or a comedy or a drama or anything in between, I'm willing to prove that I can play with the big boys.
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I love film and I love sitcoms, and I was one of those kids that would just go to the movies on the weekend and spend my whole weekend watching all of the movies.
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I'll tell you one thing, and this is banal to say because it just makes it sound like it's all planned, and nothing is planned at all. But one link is with The Deep End, and one link is that I'm making a film later on that revolves around the relationship between an innocent party and a dead body.
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We spoke English in the film, which is not difficult for me. I studied English in school and in Spain. I can think in English as well as French, although I think differently in each language. Every French word has a history for me. Each has many inflections and nuances which I must consider before I use it. English is new. I don't worry about the nuances. I go directly to the idea. I try to communicate with the camera without wasting time on the meaning of the words themselves
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I'm really much more like Phil Potter from the 1979 film Starting Over. People do think I'm the Bandit from Smokey and the Bandit, and I'm a lot more serious than that.
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I love to go to a movie, get a Diet Coke and a barrel of popcorn, and sit there with my kids and watch a film.
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I met John when I was 18 and I was in my first John Waters film when I was 19.
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Music is the subliminal connecting adhesive in film, or at least in narrative feature films.
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There's been a lot of talk about the film it has served as an organizing tool, a kind of reference.
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I write for film or, in this case, television when I haven't got a play cooking.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film "Performance".
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I do have tatoos, and I do wear leather, but there are other sides of me, that my film express.
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All of my most significant moments somehow involved music. It's like my life was a John Hughes film and somebody had to put together the perfect soundtrack.
