Film Quotes
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Every phase of a film has to go against what was done in the previous one.
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As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.
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You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.
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Writing a play is like smashing that [glass] ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start - or at least I start - with the rubble.
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We spoke English in the film, which is not difficult for me. I studied English in school and in Spain. I can think in English as well as French, although I think differently in each language. Every French word has a history for me. Each has many inflections and nuances which I must consider before I use it. English is new. I don't worry about the nuances. I go directly to the idea. I try to communicate with the camera without wasting time on the meaning of the words themselves
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I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures.
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You see in Once Upon a Time in the West the whole film moves around her Claudia Cardinale. If you take her out, there's no more film. She's the central motor of the entire happening.
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I like to go back to Chinese film-making from time to time. I don't think I can make Chinese films back to back; it's such a big effort. I'd have to take a very long break.
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There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.
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Once your acting job is over, you just hope they have a good editor and they put together a good film.
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I think the guy who has had the better films is Will Smith. I don't know if he's a better actor than me. I don't think so. I am a rapper first. Man, I just love what I do. I am just the greatest and I can't help it. I'm sorry man.
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I don't do films because they tell a particular kind of story, I do films with stories that touch me.
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I'd like to believe that the people that have supported me in my work or identified with me in films, the people that feel they know me, they do and they don't have misconceptions - they understand. I believe that.
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Film is the greatest educational medium the world has ever known.
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Whether that's an action film or a comedy or a drama or anything in between, I'm willing to prove that I can play with the big boys.
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Music is the subliminal connecting adhesive in film, or at least in narrative feature films.
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Actors spend a great deal of their time making films. And that doesn't mean that they're not educated. But we haven't gone to law school and we're not experts on policy. We're just people with a platform and an opinion. But that should never be enough, in my opinion, to be political.
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I carry my own film guys with me now. People think that's a huge expense, but with technology like it is these days, it's not. You can film videos and everything with a Canon Mark II, and shoot a movie. They're doing it for next to nothing, by comparison. I can do ten videos for a project for the price of one mainstream video in the past.
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Where is my guilt? I can regret. I can regret that I made the party film, `Triumph of the Will,' in 1934. But I cannot regret that I lived in that time. No anti-Semitic word has ever crossed my lips. I was never anti-Semitic. I did not join the party. So where then is my guilt? You tell me. I have thrown no atomic bombs. I have never betrayed anyone. What am I guilty of?
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Even a low-budget film costs way more money than a high-priced record. So, it's mo' money, mo' problems. When you have more money, it just creates more people trying to get involved and you have more trouble.
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Sometimes when you make a film you can go away for three months and then come back and live your life. But this struck a much deeper chord. I don't have the ability yet to speak about it in an objective.
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When we made 'Shaun of the Dead,' it was our first feature, and we were just lucky to make a film, full stop.
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Just someone trying to shoot in 70mm deserves the nomination, and he Quentin Tarantino is shooting interiors, like tight interior shots, for that matter. Obviously Quentin is the director and demanding the shots, but all credit for the beauty of that film Hateful Eight goes to the director of photography.
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I do have tatoos, and I do wear leather, but there are other sides of me, that my film express.
