Film Quotes
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film "Performance".
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When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
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When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little.
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You see in Once Upon a Time in the West the whole film moves around her Claudia Cardinale. If you take her out, there's no more film. She's the central motor of the entire happening.
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I'm a huge fan of 1930s horror - Universal films. I grew up with them and I just absolutely love them.
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I think, if allowed, 3D is a new film language. I can have more adventure exploring a new media, that's very exciting. 2D we know most of it, things haven't changed for decades; it's the same principles, so 3D's more exciting.
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I'm interested in making films that ask questions and don't particularly provide answers.
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I am very fulfilled in my home life, and what films do for me is to create an ironclad structure that, in my life as a mom, does not exist. It is a shapeless blob of happy chaos.
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There's so many intangible forces that come into play when making a film, I have no idea what the public will ultimately think of something that I do, let alone critics.
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I'd like to believe that the people that have supported me in my work or identified with me in films, the people that feel they know me, they do and they don't have misconceptions - they understand. I believe that.
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I think the guy who has had the better films is Will Smith. I don't know if he's a better actor than me. I don't think so. I am a rapper first. Man, I just love what I do. I am just the greatest and I can't help it. I'm sorry man.
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Sometimes when you make a film you can go away for three months and then come back and live your life. But this struck a much deeper chord. I don't have the ability yet to speak about it in an objective.
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As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.
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If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets and they all have an opinion.
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For me, with me, making a film is always about humanity.
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I just adored working in London. It was in London where I first had the idea of making a film.
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I hope I make films where you walk away . . . with work to do, arguments to have, things to worry about, things to care about. In that sense, I would regard what I do as political.
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There's such an immediate intimacy with film that you just don't get in theater.
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When you've finished the film and everybody's already made back all their money, everybody just leaves you alone and I'm very happy. That's what it has to be like.
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The tragedy of film history is that it is fabricated, falsified, by the very people who make film history.
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So I think I'll say the obvious thing: theater is ephemeral. When a production is done, it's gone forever. You can take pictures of it. You can make a film of it. But it's not the production. It's not the same thing.
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My goal is to keep making films and grow as a film maker; that's always my goal.
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Tone is an interesting question because part of the inspiration of looking to song is that Geisel himself - when you think about his animated version of The Grinch - embraced the idea of using songs in unconventional ways, as part of conveying a narrative. The use of music, in this film, is very unconventional, which I love.
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When I make a film I'm always in reality among the trees, and among the people like yourselves. There's no symbolic or conventional filter between me and reality as there is in literature. The cinema is an explosion of my love for reality.
