Film Quotes
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I've never had any illusions about being a lead actor in films, because lead actors have to be of a certain kind. Apart from the beauty of looks and figure, which I cannot claim to have, there's just a particular kind of ordinary-Joe quality that a film star needs to have.
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There's been a lot of talk about the film it has served as an organizing tool, a kind of reference.
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I think, if allowed, 3D is a new film language. I can have more adventure exploring a new media, that's very exciting. 2D we know most of it, things haven't changed for decades; it's the same principles, so 3D's more exciting.
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I am very fulfilled in my home life, and what films do for me is to create an ironclad structure that, in my life as a mom, does not exist. It is a shapeless blob of happy chaos.
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I hope I make films where you walk away . . . with work to do, arguments to have, things to worry about, things to care about. In that sense, I would regard what I do as political.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film "Performance".
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When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little.
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You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.
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Tone is an interesting question because part of the inspiration of looking to song is that Geisel himself - when you think about his animated version of The Grinch - embraced the idea of using songs in unconventional ways, as part of conveying a narrative. The use of music, in this film, is very unconventional, which I love.
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There's such an immediate intimacy with film that you just don't get in theater.
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I'd never do a film that would hurt anyone's sentiments, be it Indian or not.
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For me, with me, making a film is always about humanity.
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Just someone trying to shoot in 70mm deserves the nomination, and he Quentin Tarantino is shooting interiors, like tight interior shots, for that matter. Obviously Quentin is the director and demanding the shots, but all credit for the beauty of that film Hateful Eight goes to the director of photography.
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There's so many intangible forces that come into play when making a film, I have no idea what the public will ultimately think of something that I do, let alone critics.
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I just adored working in London. It was in London where I first had the idea of making a film.
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When you've finished the film and everybody's already made back all their money, everybody just leaves you alone and I'm very happy. That's what it has to be like.
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I think the guy who has had the better films is Will Smith. I don't know if he's a better actor than me. I don't think so. I am a rapper first. Man, I just love what I do. I am just the greatest and I can't help it. I'm sorry man.
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I ultimately have faith though, that good films will find their audience.
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I don't know what I can do about the aging. Yes, I am aging. Oh my God, I'm aging all the time. It's like those flowers that wilt in front of you in time-lapse films. But what can I possibly do? Look like a lunatic?
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As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.
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I am not sure how much Dudley will feature just because of the grand scale of the film and the fact that there are so many stories and characters to tie up. I haven't seen the film yet but I think it will be a blink-and-you'll-miss-it moment, but it was nice just to round it off and give it some closure.
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The tragedy of film history is that it is fabricated, falsified, by the very people who make film history.
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So I think I'll say the obvious thing: theater is ephemeral. When a production is done, it's gone forever. You can take pictures of it. You can make a film of it. But it's not the production. It's not the same thing.
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When I make a film I'm always in reality among the trees, and among the people like yourselves. There's no symbolic or conventional filter between me and reality as there is in literature. The cinema is an explosion of my love for reality.
