Film Quotes
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I've been called a spy of Israel since 1996, and since I made my documentary film in 2000 the FBI has investigated me as an agent of Iraq. The FBI has also opened up an investigation into my wife calling her a KGB spy.
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You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
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I had a terrible motorcycle accident (in the 1970s), in San Francisco as matter of fact. Doing a picture called... oh, this is terrible. It's a very well-known film and I can't remember the name. That's what happens when you get older... I fell off a bridge in San Francisco and was laid up for two years.
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There is an amount of abstraction in my movies, and sometimes they don't really understand it until the film is finished.
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Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work.
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I didn't go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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People forget that it's an acting assignment. You can work with someone for three months, three years or 30 years, and then you move on. I've done I don't know how many films, and I can look at the film and know that I worked with Clint Eastwood, but I'm not still trying to hang out with Clint Eastwood. We did our jobs.
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I feel like there's a lot of experience I have from doing TV animation that would be especially useful doing an animated film in terms of some efficiencies of the process that are necessary for TV, just because you have to crank out material every week, that could be applied to film.
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Its always really surreal, being on a film set, but inside a beautiful, massive scene.
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I'm really proud of Blair Witch Project as a film, but as far as the cultural phenomenon of it - that was just weird luck.
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But a year before that, I was starting to drink beer on the set of the film Lucas (1986).
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In my view the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
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Making films is like making stuff together as kids.
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Film seems to be a medium designed for betrayal and violence.
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If anything could have pulled me out of retirement it would have been an Indiana Jones film.
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When I was very young and first worked in Hollywood, the films had bred in me one sole ambition: to get away from them; to live inthe great world outside movies; to meet people who created their own situations through living them; who ad-libbed their own dialogue; whose jokes were not the contrivance of some gag writer.
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I'd love to do more independent films.
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My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful.
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I'm not a film star; I am an actress. Being a film star is such a false life, lived for fake values and for publicity.
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The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.
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I push to be in good films and good TV shows. I don't really pick and choose. I pick and choose what I will read for, and I've gotten to the point where I'm being offered stuff.
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I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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That's a KORTAN DAHUK. That's the first alien we see in the film Valerian. That's another artist. The first one was Chinese, the one with the space station. This one is American. Personally, that's my favorite alien. I love him. I love his profile and his face. There is such a sweetness and almost a sadness in his face.
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I'm anxious to make another film.
