Film Quotes
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Hollywood, to hear some writers tell it, is the place where they take an author's steak tartare and make cheeseburger out of it. Upon seeing the film, they say, the author promptly cuts his throat, bleeding to death in a pool of money.
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The first guy I really liked and was kind of obsessed with and had to seek out and find more of his films was Jean-Paul Belmondo. He was the main guy that I was obsessed with.
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Thank God for theater and film and television and my very, very, very lucky life.
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I will say this: the first film that I was on was 'In the Heat of the Night', that Norman Jewison directed with Sidney Poitier. I'm on the set, and I'm totally taking it for granted. Everyone is working for everyone else and pulling for the very best, and it makes everyone better because you feel that effort and concern and appreciation.
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What you're really after when you see a film or listen to a song is a singular vision, and I'm not sure how much of that you really get in Hollywood.
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Space does for comics what time does for film!
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It's certainly a difficult time right now to try to make small, smart films. I'm not trying to be self-serving, but you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy.
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I like having deadlines... a film release date or a concert premiere date. It channels one's energy into doing often remarkable work that oceans of extra time would probably not improve upon.
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I am really inspired by strong, badass, female characters. I would start with a revenge film, then ease into stories of badass everyday woman who make a difference in their own life for the better of people and environment around them. Stories of self realization.
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We petitioned to get access to film Suffragette at the Houses of Parliament and we whooped with joy when we were allowed in, as this is the first ever commercial film to shoot there.
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I'm anxious to make another film.
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I owe a lot to Darren Perry. I don't think I'd be this far this early if it wasn't for him pushing me to run an extra second or showing me a play on film and telling me when I see it, that's the green light to go do it and don't be afraid to take that next step and take chances. That's what the game is about.
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What’s really important is storytelling. None of it matters if it doesn’t support the story.
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It's not about an opening weekend. It's about a career, building a set of films you're proud of. Period.
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When I watch films now, theres more of a musicality to the way the film are written.
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I'm a slave to my imagination in terms of making narrative films.
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I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
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Writing and making films aren't different things to me. Or maybe it has become so, now. Making film is a very long process and you have to be physically strong. The literary work is more mystical, because it's only the writer, and connected to something inside.
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I had the idea that the film would be much better served by a Branch Rickey lookalike than a Harrison Ford lookalike. I didn't want the audience to go into the film thinking that they knew me from some previous experience in a movie.
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I'd like to be a better writer, but I have no dreams to direct or do a screenplay. And I'd love to have a big starring role in a movie because the paycheck would be bigger. That's the only reason I do films.
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We were in another planet and we were reaching for something closer to a fable. It was something fabulous. I started looking at the film as if it happened in another planet and that allowed me even more freedom.
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I don't think the idea of working in Hollywood really exists anymore. I think you work in films, and where the film is shot is where it's shot. The studio system doesn't really exist.
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The essence of the cinema that I'm interested in is a combination of love, rage, and curiosity. Sometimes it's hard to see those intentions, or maybe it's hard to portray them on film in a way that doesn't sound too preachy or irrelevant. So instead of saying it out loud, you say it multiple times in the movie by hiding it. You get a sensation after you see the whole film throughout yourself.
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It's only happened to me once crying in the end of the film - the end of Forrest Gump. I think it's sad because the moral of the film is that you can have no brain whatsoever and still make it in this world. That made me terribly depressed.