Film Quotes
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	My discussion is one that has gone all the way from Fistful of Dollars through Once Upon a Time in America. But if you look closely at all these films, you find in them the same meanings, the same humor, the same point of view, and, also, the same pains.   
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	Cinematography was incredibly foreign to me, so I read as much as I could about it. Once I figured out that it was just photography with a set shutter speed, I got some slide film and I just went about storyboarding the script and taking snapshots. I took a ton of time doing it just to make sure I knew exactly what I was doing. By the end of it I knew what the film was going to look like - my exposure and the composition and everything. I wasn't scared of cinematography anymore.   
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	Film is a strange thing.   
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	I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.   
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	The American public is a very specialized public. The reason it is taken as a realistic film is because inside the fable, I've put that kind of reality in. And it could easily be called, instead of Once Upon a Time in America, Once Upon a Time There Was a Certain Kind of Cinema. Because it was also an homage to cinema.   
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	The director is the only person who knows what the film is about.   
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	Maybe It's not the biggest blockbuster film, but there will be some people that will see it, that will be debating it, that will be questioning their own sense of spirituality. If the film resonates, then I have succeeded in what I set out to do.   
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	To be fair, that MTV was very cooperative with the film "Josie and the Pussycats", and this MTV has been very cooperative. I actually didn't even think about it until you said it.   
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	My chemistry with Salman goes long back, and we have a great equation. Doing a film with him is no less than a dream.   
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	Guys have been having a lot of questions about whether or not I can play man-to-man, so I've been watching a lot of film lately. I'm trying to study tendencies of receivers that are already in the NFL, so I can have a jump on them once I get to that next level l so I can know what to look for and what to be prepared for.   
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	It's not about an opening weekend. It's about a career, building a set of films you're proud of. Period.   
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	Space does for comics what time does for film!   
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	When I was younger and in primary school, I'd do maybe a film a year, and I had to adapt to being away from everyone for a couple of months.   
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	Depending on the budget [whether to use 3D on future movies]. I think I prefer 3D to 2D now. Also, because of 3D I have to use a digital camera, which is the way it's going anyway. That still confuses me, a digital camera versus film.   
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	Film is where I want to end up, but I don't want to let go of theatre.   
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	I never was that boy who loved gangster films, but when I was growing up, I was obsessed with the detective Dick Tracy. It was one of my favourite movies as a kid, and he really inspired me. I would have loved to be part of that golden age of Hollywood in the 1940s. It made me want to become an actor.   
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	You invest into the future, and that's how young people become human in best sense of it - through the great experience of listening a Müller symphony or to see a great play by Tennessee Williams, experience something in a ballet, in a film.   
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	It's certainly a difficult time right now to try to make small, smart films. I'm not trying to be self-serving, but you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy.   
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	The digital process gives me total control over how I want the film to look. The films look like they did when I was first looking through the viewfinder.   
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	Film is more of a dream when you're younger. I found it almost impossible to see how you would get into the industry having no connections, nobody in the family being anywhere near it and never meeting anybody that had been on a set.   
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	Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write 'War and Peace' in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling.   
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	We'll probably look at the film tomorrow and see some real good things, but right now we're our own worst enemy.   
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	All of my most significant moments somehow involved music. It's like my life was a John Hughes film and somebody had to put together the perfect soundtrack.   
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	I love film and I love sitcoms, and I was one of those kids that would just go to the movies on the weekend and spend my whole weekend watching all of the movies.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					