Film Quotes
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The films I like to watch are when they make it relatable to human audiences.
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I always find live shows on film kind of boring. Even my favorite ones, I kinda zone out for most of it. It's just so different seeing a band in the flesh and then watching a film of it, even if you have a hundred cameras and it's shot from every angle. There's just a communal, visceral thing that never translates very well.
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Satra Ko Shaadi Hai is a very sweet film. It was the first film that I shot. I play a shy small town boy in it, which is an absolute contrast to what I played in Sanam Teri Kasam.
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I really think music and movement - dance, you know - and literature inform my visuals. I think film is also based in dance. The relationship between me, the camera and the actor is always a dance.
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We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.
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I have been directing and involved in producing and the creating of films for quite a while as well as acting. I always think in terms of what the director needs, and not just for this scene but for the film.
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I did the film because it is a personal thing for me. Besides its production values as a film, it has its story, its intrigue, its drama.
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No matter how widely spread out the films are, how different, you still are you.
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I've always loved Elsa Dorfman work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.
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I love doing action. And I love doing dramatic films, and I'd never really been able to combine them.
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Sometimes you go to a film and well, you are not very concentrated. In reading, you have to concentrate, to spend the time it requires in order to feel the experience of the work. You have to put all of yourself there to experience something new and to feel and perceive an atmosphere that is unprecedented.
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I feel like I hadn't given that many classic films, like, a really good chance. I watched 'Casablanca' a really long time ago when I was like, 12. I didn't like it that much, and then when I saw it again in class, I loved it.
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I love editing. I think I like it more than any other phase of film making. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.
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There's certainly enough writers and directors and actors who secretly aspire to make movies and films that agree with the center-right perspective, and I would argue the majority perspective in America.
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At some point I will try balut. I will make sure that I will film it.
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My reaction to porno films is as follows: After the first ten minutes, I want to go home and screw. After the first twenty minutes, I never want to screw again as long as I live.
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I like having deadlines... a film release date or a concert premiere date. It channels one's energy into doing often remarkable work that oceans of extra time would probably not improve upon.
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I'm not a craftsman of graphics or art or film. I'm more of an idea generator and manufacturer.
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Fame can be very dangerous, because you can start to enjoy that part of it. And that's not the good part of what I do for a living. The good part is the making of films. The unpleasant part is the fame part, if you're not careful.
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It's only happened to me once crying in the end of the film - the end of Forrest Gump. I think it's sad because the moral of the film is that you can have no brain whatsoever and still make it in this world. That made me terribly depressed.
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There is lots of pressure to make a GOOD film. And not just a GOOD film but one that will somehow stand out in the sea of GOOD films.
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I like to keep my budgets at a certain price when I work for someone else, and even more so now that I'm working for myself, and use new technologies to deliver films that look like they have high production levels.
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I have two dream roles: One would be a biopic of someone I admire and respect and the other one would be some sort of action drama film similar to a 'Bourne Identity.' I just really want to do an intelligent action drama film.
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The job's always the same. It involves helping to tell the story and creating an alloy between character and story that serves the film.
