Writing Quotes
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You know that I write slowly. This is chiefly because I am never satisfied until I have said as much as possible in a few words, and writing briefly takes far more time than writing at length.
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The core of my writing is not art but truth.
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Therefore, I believe that we both have a heavy obligation to seek earnestly the path to peace. It is in response to that obligation that I am writing directly to you.
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I want to see children curled up with books, finding an awareness of themselves as they discover other people's thoughts. I want them to make the connection that books are people's stories, that writing is talking on paper, and I want them to write their own stories. I'd like my books to provide that connection for them.
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I don't have to worry about writing jokes. I just tell stories about things that have happened to me. As long as I'm alive and I'm living and I'm experiencing different things every day, the show will always change.
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Television has raised writing to a new low.
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To be a good poet, you must care more about the writing, than the writer.
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I think at first I didn't tell anyone I was writing something because I found so tedious the people who did.
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Authors worry. We worry about writing. Worry about our editors, our agents, our reviews, and our readers. We worry about everything, including all forms of social media including blogs, Facebook, Twitter, and personal websites.
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It is possible to have a pretty good life and career being a leech and a parasite in the media world, gadding about from TV studio to TV studio, writing inconsequential pieces and having a good time. But in the end you have a great sense of personal dissatisfaction.
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I write all the time. The wonderful thing about having a cell phone is that if I get an idea, I knock it out and it's in my phone and I can transfer it to my computer and go into the studio and bring it up.
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Writing and producing television very much speaks to the extroverted part of my personality. I love collaboration, the joint effort of hundreds of people working together to create something. But the other part of who I am is extremely introverted. I love being alone and dreaming up ideas and writing novels.
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When I was in college, I used to write little ditties and short stories and poetry for my friends. Writing a book is another thing. It is so much different from my traditional day of dirty fingernails and greasy hair and hot pans.
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I love writing about black women, but if you go beyond that, we're human beings - and because we're human beings, it's universal for everybody.
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Writing is a way of processing our lives. And it can be a way of healing.
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I don't really know exactly how it happened but I don't like the idea that I would ever have said I'm going to write about racism or puberty or bullying.
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I've long been an admirer of Philip French's way of writing as well as his knowledge of films. He was one of the few critics to be aware, and make audiences aware, of the work of people on a film set other than the director.
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I like writing my own material - I'm pretty good at it.
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I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
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My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.
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When I'm not writing or tweaking my computer, I do embroidery. When I'm not plunging into the past, tweaking, or embroidering, I'm reading books about history, computers, or embroidery.
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I don't begin a novel with a shopping list - the novel becomes my shopping list as I write it.
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I'm not really interested in myself in my writing. I can't see myself in the songs, even though I know different parts of me are there.
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When I was 18, I took a trip to Thailand with a friend. We stayed for a month. Bangkok was very raw for a teenager: there were no cellphones, no Internet, and the only music I had with me was this cassette by Liz Phair. I was writing a lot of poetry, and she embodied a talky style of songwriting that I found very accessible.
