Writing Quotes
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You can't write the same book twice. Though I've been in historical musical situations, I can't go back and do that again. And though I run into artistic crises, they keep my life interesting.
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The whole purpose of writing a book is to be understood - if other people write about you, they try to guess why you did things, or they hear things from other people.
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I earned two Emmy nominations for writing, and two of the shows I had written were nominated for best in their category.
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I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.
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The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you're hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.
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I've rewritten other films and watched my writing be mutilated, but luckily, it's been mutilated anonymously.
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I love Yamaha Clavinovas. I have them at home, in the studio and on tour with me. I find them ideal for all sorts of things: silent practice with headphones at home; writing; arranging and... just playing the blues!
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Writing a book is a very lonely business. You are totally cut off from the rest of the world, submerged in your obsessions and memories.
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There's not too much difference between writing a picture book and writing a collection of a hundred poems or so, except that the bigger books take a lot longer to do.
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Even at my biggest, I want to be writing for other artists. Even at my peak - the highest I can be as an artist - I always want to be keeping my creative juices flowing, keeping money in the bank, putting my intellectual property out there.
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A creative writing workshop will contain students whose ambitions and abilities, whose conceptions of literature itself, are so diverse that what they have in common - the desire to write - could almost be considered meaningless.
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I took up writing to escape the drudgery of that every day cubicle kind of war.
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You're just like, "I like doing this - it's something I have a lot of passion for." You happen to do it, you enjoy songwriting, and eventually if you're writing enough songs, then you fall into it.
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I called the doctor, during writing the book, the psychiatrist who treated me at that time, Dr. Jackson. And I said, Dr. Jackson, whole pieces are missing. I don't understand what happened to me.
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Music helps me immeasurably in the writing process.
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There's a writing adage that says, 'Write yourself into a corner.' My brother and I have always loved that adage.
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I don't know if nature is a direct literary influence on my writing, but it is certainly important to me. I take great joy in writing about it. It is something I have taken with me from my childhood; the body exposed to the threat of the physical world and at the same time being at home in it.
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I've been writing for people long enough to know that it has got to feel comfortable coming out of their mouths, especially when you're doing something that is first person and is so near and dear to you.
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The second half of the '60s really was a kind of learning period, in terms of writing, for me.
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It's easier to revise lousy writing than to revise a blank sheet of paper.
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You have to determine what you are and send the messages out to people, like, 'Hey, I'm a screenwriter - look at this.' You can't sit around, wondering why people aren't calling and asking about my writing.
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I'm writing exactly the kinds of books I like to write. And they're the kinds of books I like to read. They're popular commercial fiction. That's what they are.
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Let me back up a little and tell you why I prefer writing to real life: You can rewrite. A novel, for example, can be cleaned up, altered, trimmed, improved. Life, on the other hand, is one big messy rough draft.
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I went to school to study literature and writing, even though I didn't end up really doing that in the end.