Writing Quotes
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At night, when the objective world has slunk back into its cavern and left dreamers to their own, there come inspirations and capabilities impossible at any less magical and quiet hour. No one knows whether or not he is a writer unless he has tried writing at night.
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My mom's a concert pianist, so she started teaching me when I was around seven. When I was eight, I started writing my own songs, and kinda started putting piano and singing together. But I'm trained classically, which is a big influence on me, I think.
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I don't want to talk too much about the nitty-gritty of writing. It's rather like a pressure cooker with a certain amount of pressure in it - the more you let out, the less you cook.
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I would be involved with music whether I had a career or not. I'm always going to be writing songs and recording them.
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I became a copy boy. Not for long. I started writing stories.
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I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
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I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular.
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When I started writing 'Luck in the Shadows,' I just wanted to create an adventure story.
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[Writing something original from scratch], the initial process is way different. But once it exists and you start to actually work on making it real, then the approach is kind of the same, for me anyways.
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As far as writing, it's grown because I've really grown comfortable with who I am.
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I've been writing since I'm five years old. I've been writing books since high school - junior high, high school. I write every single day. I never thought I'd be published.
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I know I'm only as good as the material I've got to work with. I'm not an alchemist, not when it comes to writing or production.
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For me, writing never gets easier. It's always hard work. It doesn't matter how many words you wrote the day before, or how many novels you've completed in the last decade: every day you start fresh again with that same blank page, or that same blank screen.
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The thought that all experience will be lost at the moment of my death makes me feel pain and fear... What a waste, decades spent building up experience, only to throw it all away... We remedy this sadness by working. For example, by writing, painting, or building cities.
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Gandhi was only minding his own business when he took a walk to get some salt and ended up overthrowing the British Empire. You can't set out to overthrow an empire, but if you have to get some salt then get some salt. If you have to write some independent songs that are honest, just write them. If you have to do a day job stacking shelves, so be it.
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The business of writing a novel is a long, meandering road into the self, into the imagination. And it's a road the writer travels alone.
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I play all my own instruments. I write my own material. And I do not lip-synch. I sing live.
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I think in some ways, acting and writing are the same. You're getting inside the skin of someone else; you're creating their language and their actions. As a writer, you have to see the whole picture and the structure, and you have to understand every character.
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I was writing and playing in California for 11 years before I moved to Nashville.
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The morning is always my best time of the day for writing because that's when my head is best.
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I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time.
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I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
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As an actor, we always want people to write about us and talk about us. And when they are actually writing, then we say, 'Don't write about this.' I am an actor; I am a public property. I don't own myself; public owns me.
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The more restrictions you have, the easier anything is to write.
