Writing Quotes
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No honest writer today can possibly avoid being influenced by Freud through his pioneering work into the Unconscious and by the influence of those discoveries on the scientific, philosophic, and artistic work of his contemporaries: but not, by any means, necessarily through Freud's own writing.
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We can and must write in a language which sows among the masses hate, revulsion, and scorn toward those who disagree with us.
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The only thing that works with writing is that you care so passionately about it yourself, that you make someone else care passionately about it.
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When you're in the midst of writing, it's a beautiful thing happening through you. Many people have said that it's not you, it's the soul of humankind and so on, I don't know. But it has the same effect [as music]. It takes you out of your body and out of this planet.
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Anyone who works in the arts knows, if you're writing a novel or a play or anything, you have to be ready for someone to say, 'Your time is up.'
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Once upon a time, I was a workaholic clocking more than 80 hours per week. That changed after I began to write. I now work only around 35 hours per week. I do not work on weekends because these are the days that I use for research as well as for my writing.
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I developed the habit of writing novels behind a closed door, or at my uncle's, on the dining table.
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When I was a kid. I started writing when I was 13. I got my first electric guitar when I was 13, but I'd always been singing. I had my first little acoustic when I was six. But I started being in bands when I was 13. Crappy rock bands, avant-garde things where we'd, like, 'wanna go against the norm, man.'
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Creative writing and shooting are muscles that atrophy. But when you work them, you become a self-generator who can branch out.
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Constant rejection. No security. Career paths being dictated by freelance reviewers. And of course, the terror of the writing desk, of the blank page. Why is it so hard for our non-writer friends to understand this - that it's a job?
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I just sing and write songs and wear what I want. It's quite a good job really. If I wanted to I suppose I could become more of a fashion icon, but singing is my thing.
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I love Yamaha Clavinovas. I have them at home, in the studio and on tour with me. I find them ideal for all sorts of things: silent practice with headphones at home; writing; arranging and... just playing the blues!
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When I first started making music, it was learning other people's songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.
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There's the same percentage of genius happening in both genders, but there's less women writing scripts and out there looking for the job.
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I've got a particular way of writing novels, and that carries over into the way I write comics and games, too. I'm a news journalist by background, so I approach everything as reporting - I treat it as real, I ask the questions I'd ask in a real situation, and I let the characters speak for themselves.
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Rewriting is like scrubbing the basement floor with a toothbrush.
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After college, I moved to Breckenridge, Colorado, and went snowboarding every day. I didn't know what I wanted to do, but I knew what I didn't want to do. So I applied to grad school for writing, and I just gave it a shot and took it from there.
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If I were a first rate writer, I wouldn't mind a bit. What does depress me is this: it is so desperately hard and so obsessive and so lonely to write that, in return for all this work, one would like a little self satisfaction. And that is never going to come, for the simple reason that I do not deserve it. I cannot be a good enough writer. You see? I call it grim. But the future looks awfully clear to me.
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I learned early in my writing career that if I try to tailor a song for someone else, I'm usually off base. They're usually looking for something from you with your character.
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Writing has never been that simple for me.
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Writing New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.
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So this is always the key: you have to write the book you love, the book that's alive in your heart. That's the one you have to write.
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A writer who isn't writing is asking for trouble.
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I loved writing about things when I was excited about them. It's not fun writing about bad movies. I used to think it was bad for my skin. It's painful writing about the bad things in an art form, particularly when young kids are going to be enthusiastic about those things, because they haven't seen anything better, or anything different.
