Writing Quotes
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I was a Social Science major in college, with an emphasis in secondary education. I took as many courses on the American colonial era and westward expansion as I could. This turned out to be wonderful preparation for writing fantasy novels.
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I haven't shifted language. I'm writing in English because I like it. I'm a sucker for the language, but the good old poems I'm still writing in Russian.
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Comedy writing is taking the brief thought and going with it.
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I started off doing fiction in 1993. It didn't occur to me to do nonfiction because it wasn't a thing yet. So I was bumbling around, writing short stories, and then I took a nonfiction workshop, and I realized that this was what I was supposed to do.
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When you're writing on someone else's show, you don't have to think as hard about nailing the perfect tone because you're kind of just like, 'Here's 20 ideas I thought of, and they can just pick the closest.'
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While writing my memoir, 'When Skateboards Will Be Free,' I would sometimes have to pore over hours of microfilm at the New York Public Library in order to try to get one obscure detail right. For instance, was the Socialist Workers Party originally called the American Workers Party or the Workers Party of the United States?
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The first four months of writing the book, my mental image is scratching with my hands through granite. My other image is pushing a train up the mountain, and it's icy, and I'm in bare feet.
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Memory in Greek mythology is the mother of the muses, and it is so for me. Both personal and societal memory move me strongly, and that is one of the sources of my writing.
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I like contemporary, bare-boned writing. I don't like having the language that I barely understand get in the way of me interpreting it over to an audience. It's this barrier that I don't want to have to attack.
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I guess writing is a kind of therapy in the sense that there are things you need to say and you say them, and better out than in.
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I see myself writing in the tradition of urban ethnography and in the tradition of the sociology of poverty.
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The centerpiece of 'Law and Order' is the crime, and it starts with the writing. There's a beginning, a middle and an end. It allows the audience to watch any given episode and can drop right in and not feel lost. I think the stark, raw structure has a lot to do with its longevity.
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No author's writing more influenced my own than that of Robert Louis Stevenson. My first steampunk story, 'The Ape-box Affair,' is a sort of melange of Stevenson and P.G. Wodehouse.
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There's a lot of rage in my head. I like the friction that means there is nothing relaxing about writing a poem. I can't afford to relax in any area of life. You have to keep your senses awake to all the complacency that kicks in - particularly for the English.
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It’s not just the adage ‘write what you know,’ it’s about gathering up all of the knowledge and experience you’ve collected up to now to help you dive into the things you don’t know.
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Writing and playing songs is something that I've loved doing since the day I started. It's never been a chore; it's always a hobby. To be able to do that from day to day makes me believe I'm a very lucky person.
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I read a lot of scripts, and there's a lot of good writing and a lot of OK writing and a lot of crappy writing. And even with the really good writing, it doesn't necessarily speak to me.
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There is an opportunity to recreate the financial world as we know it in the parallel universe that is the blockchain. We are writing rules for this whole new universe.
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I discovered that Robert Todd Lincoln was there for each of the first three assassinations. I wanted to write about the Lincoln Memorial, so when I found out he had attended its dedication, that helped focus it further.
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Write what you care about. If you do that, you stand the best chance of doing your best writing.
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Writing New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.
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I'm used to producing all of my projects, doing all the beats, and writing all the hooks.
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I'm not very happy idle. There's always this voice in my head that says, 'I should be writing.'
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I think writing and singing go together, but I treat them as two separate careers because I write for others. If I'm writing for myself, I prefer to be with the producer. And then we can vibe out and throw ideas back and forth, and I'll basically let the producer play me a bunch of beats until I vibe with one.
