Writing Quotes
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Writing is a sufficiently lonely and mysterious pastime that I don't begrudge myself a talisman or two, so long as they don't become ways of distracting myself from the glum inescapability of actual work.
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Writing is not a profession, it's an addiction.
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Younger women tend to be busier, wearing more layers and more make-up. I don't know if it's because older women are more confident, or just that we don't care any more. But that pared-down approach is the same with the sentences I write; I take out adjectives and adverbs and keep the description to a minimum.
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I definitely write about my life and the issues I might have or the dilemmas I'm going through, but usually I write about it in a general way and make metaphors. Like "I'm the wolf and you are the moon ".
Nanna Øland Fabricius -
The word 'definition' has come to have a dangerously reassuring sound, owing no doubt to its frequent occurrence in logical and mathematical writings.
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Everyone needs solitude, especially a person who is used to thinking about what she experiences. Solitude is very important in my work as a mode of inspiration, but isolation is not good in this respect. I am not writing poetry about isolation.
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What I enjoy as entertainment is what I enjoy writing.
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Who are you writing this for? For a commercial reason, or because you want to make great art and give it to your fans?
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I remember my first agent telling me - because they found me as an actor, but I was probably more interested in writing and maybe directing - they were like, 'Well, you can't do both things.' And I was like, 'I'm gonna show you.'
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The way that I process and make writing work is I'm really telling true stories; I'm just putting them in a cape and putting an 'S' on its chest.
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I'm always writing at night - things I would change, things I would do differently. When I write a note, it sticks in my head differently.
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When I was in school, I was always writing scripts and dressing up as characters. I'd constantly be that guy who'd get up on stage. I used to write imaginary TV shows, like soap operas, for fun.
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Older teens tend to write to me and say, 'Thank you for not writing down to teenagers.' And then there are the letters from adults who say, 'This is such a good book; why did you write it for teens?'
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The language itself is what gets me interested in writing. It's weird to me that words exist. Never a dull moment with words. They're a layer between our minds and the physical reality around us, obviously, but the layer seems like it's always in flux, like an asteroid belt, constantly moving.
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If someone decides to be a musician now, it means because there is no hope of money at the end of it, it means they really want to be a musician. And if someone is writing now, there is no hope for money at the end of it.
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'Just' writing is every bit as important as any other creative part of a film.
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Reading while I'm writing ideally inspires my competitive side. When I read great writers, I want to be a better writer.
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I, personally, have found reading a continual support to writing.
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I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.
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Writing a play is like smashing that [glass] ashtray, filming it in slow motion, and then running the film in reverse, so that the fragments of rubble appear to fly together. You start - or at least I start - with the rubble.
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Conspiracies fascinate me. When I visited the Rozabal shrine in Srinagar before writing my first book, I remember thinking that the person enshrined there was no ordinary mortal. History is rife with mysteries, and that visit ignited a fire to unveil some of them.
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You always feel like a hack and a fraud when you're writing. It's just how it goes.
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Writing a book is like masturbation, and making a movie is like an orgy.
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Writing for me is not a premeditated act. It just happens - characters keep coming out of nowhere and doing things I never expected them to do. The most persistent and most productive of these has been Paul Christopher, whom I didn't expect to see again after he appeared in 'The Miernik Dossier.'
