Writing Quotes
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I don't spend as much time drawing as I do writing and reading. That's the really work-intensive part. And by the time I have enough material, it's often way past due time to put the comic up, and I'm already behind schedule, and I have to kind of rush it.
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I don't know if it's good or bad, but when I first started writing I imitated the narrative thrust of a movie. And as I worked, I learned what you can do in fiction that you can't do in movies, and vice-versa.
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My music is constantly changing because I am. I'm writing it and changing as I'm writing.
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The reason why I love people, and writing about them, is because they don't always respond with hate and anger. If they did I wouldn't have a story to tell. Who wants to know about someone who was brutalised and became brutal? I'm interested in the exceptions.
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The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing, and put it into a story.
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I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.
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His writing - in so many languages - made me a sign-post pointing east, west, north and south. I had shoes in German, stockings in French, gloves in Hebrew, a hat with a veil in Italian. He only kept me naked where I was most accustomed to wearing clothes.
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Writing books and being paid for it - it's not like winning the Lottery. You can't suddenly go, 'Yippee!' and start throwing tenners in the air. I've done pretty well out of it, but certainly not enough to say, 'Right, that's me set up for life.'
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I've certainly been someone who has loved to mine the trials and tribulations of growing up in general, and the people who are in our lives, and I don't mind pulling from them and writing things down on my phone that my family says.
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The way that I've always viewed my career, I always do what comes to me. I don't write forty songs per album, I write fifteen to twenty songs and pick the ones that represent this period of my life the most.
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What I enjoy as entertainment is what I enjoy writing.
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I have no interest in writing, generally speaking, about America at all - even if it does continue to terrify me.
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All that time that we spend tweeting our thoughts and emotions to our next of kin, we could be writing the great American novel, starting a business, or just living.
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I think there are a lot of similarities between writing and music. Music is much more direct and much more emotional and that's the level I want to be at when I'm writing. Writing is much more intellectual and indirect and abstract, in a way.
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When I think of all the harm the Bible has done, I despair of ever writing anything to equal it.
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I think I've become more like my mom just because of what we're both interested in, children and teaching and writing.
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Generations of devoted American history buffs have spent countless hours reading and writing long books about the American Revolution without ever having come across the name of Dr. Thomas Young. Yet it was Young who came up with the idea for the original tea party - the one in Boston Harbor.
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The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage.
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What I really care about is writing... Some people feel about touring the way I feel about writing, which is, 'Whoa, I can't believe I get to do this as a job.'
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Writing is a kind of performing art, and I can't sit down to write unless I'm dressed. I don't mean dressed in a suit, but dressed well and comfortably and I have to be shaved and bathed.
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I'm always a little nervous when someone comes from other media into writing comics. It's a unique storytelling form, and it requires both talent and respect.
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I have to do more close research and fact checking for the science fiction. This is not however to say that writing good fantasy does not involve doing good research.
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Joseph Conrad and Heart of Darkness loom huge in my development as a writer. I think I'm always trying to write Heart of Darkness - trying to explode an abstraction in concrete terms, although I am aware that Conrad's story has a bit of baggage that I'd rather avoid in my work.
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Study Chairman Mao's writings, follow his teachings and act according to his instructions.
