Bret Easton Ellis Quotes
Quotes to Explore
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I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
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Men move through a much different process before commitment than women do.
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There is an expression now that is commonly used about these so-called internal conflicts which are not really internal, because they have connections to the outside world.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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I love the truth. Tell the truth and live the truth, because we've seen enough lies and look what it's doing.
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I wrote music as soon as I knew notation.
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Habits change into character.
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Men are sort of doofuses about sunscreen, and for the most part, women are more inclined to take better care of themselves, but a reminder is always good for everyone.
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In the time I spent with him, Jurgen Klopp was enigmatic, larger than life, and extremely quick-witted. He is quite unique as a football manager in many ways, and that is what makes him so entertaining.
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The mere fact that so many continue to rise, year after year, out of just such conditions as you may think are fatal to your advancement, ought to convince you that you also can conquer your environment.
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Elegance is not a dispensable luxury but a factor that decides between success and failure.
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The University of South Carolina has always played a role in my life and the intellectual life of South Carolina.
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Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
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I was born and grew up in Fitzgerald, way down in south Georgia. It was a mill town and my family ran the cotton mill. My grandfather was mayor many times and my family felt deeply rooted to that spot.
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I never believed I was the best fighter in the world.
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Forty percent of my portfolio is in the U.S. In the rest of the world, most of the places I invest in or invested in are Brazil, Russia, Germany with a little bit of Turkey, China, India, France and Israel sprinkled in there.
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My whole thing is being sexy without showing too much, because that's my comfort level.
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The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need.
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I have a bit of a consummate victim in my head. That’s who I identify with throughout history. When I was 10 I would draw black eyes on myself because I thought it was cool. You’re so into people who are tragic. You want to be that so badly. But you probably aren’t really the tragic genius that you think you are.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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I've never wanted to be famous. That has never been a part of any dream. I do remember being little and thinking I might want to be a singer. But not a famous singer - just, like, a singer.
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The loneliest, most down-on-his-luck person can have a dog who adores him. The most bitter, sour person can light up with joy when he sees his dog. It is magical and, as 'The Dog Master' reveals, it is biological - we evolved together.
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I do a lot of improvising when I'm writing, and I work very hard on the scripts... they are written very much in an actor-friendly way.
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No one is drawn to writing about being happy or feelings of joy.
