Writing Quotes
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I'm in an odd place right now in New York where I routinely get trashed by every daily drama critic and have a few allies among weekly/monthly drama critics, and you sort of plot these things out and figure it out. But it's just what any writer goes through, periods of favor, periods of disfavor. And the trick is just to keep writing and to not let an obsession.
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Writing is a sad process, sitting on your ass for many, many hours, alone in a room, smelling like coffee, sadness and bitterness, and watching your youth leave.
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I feel there has to be a certain amount of improvisation as I'm writing, which means any idea or any commitment to a project is risky. It involves time; it involves gathering of material, and sometimes it just doesn't work. Sometimes it does. As I'm starting out on a project, I can't tell if it will click or not.
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One of the things that put me off writing for a while was that piece of advice everybody gives new writers: 'Write what you know.' Nobody would ever want to read about my boring life! But I do know a lot of things about different societies' cultures and mythologies. The way people were and are.
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I feel I'm able to get rid of any demons lurking in my psyche through my writing, which leaves me free to create all of this and to enjoy our family life, stepping away from all the fictional traumas and the dramas. If I write about family in crisis, then I won't have to live through it, I guess.
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Whether it's a letter, song lyrics, part of a novel, or instructions on how to fix a kitchen sink, it's writing. You keep your craft honed, you acquire the discipline to finish things. You turn into a self-taskmaster.
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But how to do feelings? All very well to write "She felt sad", or describe what a sad person might do, but what of sadness itself, how was that put across so it could be felt in all its lowering immediacy? Even harder was the threat, or the confusion of feeling contradictory things.
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I'm afraid there are no magical tips. There is no secret. Writing is all about telling stories as well as you can.
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I like writing comic pages, discovering the rhythm of the panels, learning how much you can and can't express. It's good to stretch myself as a writer instead of always doing prose work; I write screenplays for the same reason.
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Had I guessed the trouble my name was going to cause a lot of people on the other side of the world, I would have changed it to something easier when I began writing books.
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When I lived in a little flat in Pimlico in 1981, I'd write in the hallway. As you walked in, there was a tiny little recess type thing, hardly a hallway, really, and I'd sit there writing songs with my guitar.
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I'm a right pain in the hole for my agent. I won't take certain parts if I think they're offensive or banal. For instance, I won't do a film if I think it's full of violence for violence's sake, or a television drama if I don't think it's intelligent writing.
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I'm really focused and obsessed with writing things that are specific. I don't like big rock lyrics - I find them infuriating.
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Between planning family vacations and running away for novel-writing retreats, I've spent much of my adult life questing for the perfect beach escape, renting cottages all along the Florida Gulf and up and down the Atlantic Coast - as far north as Nags Head, as far south as Key West.
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I have spent a lot of my life trying to do good and be a humanitarian, to write about difficult places, and to tell the story of oppressed peoples.
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I'm an author whose strength is in gag-writing.
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You can get into a comfort zone writing lyrics, like wearing a mask. But I wanted to feel uncomfortable when I was listening back to the lyrics; I wanted to squirm.
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There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
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And I believe that reading and writing are the most nourishing forms of meditation anyone has so far found. By reading the writings of the most interesting minds in history, we meditate with our own minds and theirs as well. This to me is a miracle.
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I got jury duty and I didn't want to go, so my friend said, "You should write something really really racist on the form when you return it. Like, you should put 'I hate chinks'." And I said, "I'm not going to put that on there just to get out of jury duty. I don't want people to think that about me." So instead I wrote, "I love chinks." And who doesn't?
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Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
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That really was a lot of the appeal of 'Rumours.' The music was wonderful, but the music was also authentic because it was two couples breaking up and writing dialogue to each other. It was also appealing because we were rising to the occasion to follow our destiny.
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In writing the book I wanted to make it very clear that I feel prostitution should be decriminalized. But some people might have breezed by those aspects that others took the time to notice. In All I Could Bare, I hope I relate in a conversational way how stripping is a lot like other types of work.
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The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.
