Writing Quotes
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Dude, writing, acting and directing are such easy jobs. But to do them all as awesomely as Zach Braff does, well that... that's something.
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I think 'Cool Hand Luke' was probably the first movie in which I was aware of the writing as its own separate thing. It was that speech when the guy reads Paul Newman the riot act. The speech about going in the box.
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I am fifty years old and I have never known what it is to love. I can write those words, know them to be true, but feel only the regret that a tone-deaf man must feel because he can't appreicate music, a regret less keen because it is for something never known, not for something lost.
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Writing should be meaningful for children, Y an intrinsic need should be aroused in them, and Y writing should be incorporated into a task that is necessary and relevant.
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Any doctor will admit that any drug can have side effects, and that writing a prescription involves weighing the potential benefits against the risks.
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When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas. Eventually, that process of using my voice to bring ideas across became more complicated, and I felt I could use it more as an expressive tool.
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Writing is something I took up rather than anything I had an inclination toward. I like acting -delivering someone else's message - but writing is more of an accomplishment.
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When you're in a room with a guy who has a vision like that, it's just one of those things where you close your eyes and just see that vision - then you just go with it. The guys that I write with are so incredible, just like my producer Trent Willmon, those guys know how to bring things out of me - especially things that I maybe didn't even know that I had.
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I write for the love of writing. If I never published another book, I would still be writing stories.
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I wasn't really writing with anything commercial in mind I just wanted to create some new music.
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My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
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Is there a secret? Yes. Anaïs Nin and Pauline Réage and Anne Rampling and Erica Jong all knew it. E. L. James knows it. It is the secret behind all of our writing. And our reading. Arousal starts in the mind. And grows in the mind. The brain is the most erogenous zone in a woman’s body. That is our secret. And it is what we share.
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Like most writers, I find the Web is a wonderful distraction. Who doesn't need that last minute research before writing?
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Do you know what I was smiling at? You wrote down that you were a writer by profession. It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It's never been anything but your religion.
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Writing can give full meaning to characters and avoid pure stereotype.
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Generations of devoted American history buffs have spent countless hours reading and writing long books about the American Revolution without ever having come across the name of Dr. Thomas Young. Yet it was Young who came up with the idea for the original tea party - the one in Boston Harbor.
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I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
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Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
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When I first started writing, I wrote really sad, emotional songs which were all slow.
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All my life I've looked at words as though I were seeing them for the first time.
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Is a gesture of charity genuine or is it a kind of deep moral tax write-off?
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Some of the best things that have happened in my stories have happened seemingly of their own accord. The writer becomes a listener, just writing things down as they come.
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I feel like I'm put in a position where I have to engage with what people bring to my work, which is an expectation for me to talk about race because it's not normal for a black writer to be writing in the theatre.
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I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
