Writing Quotes
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You lose somebody you've possibly known for years and on top of that you lose a character that you love seeing on TV so I think that kind of makes it cool that we pay a price too. That it is painful on many levels and its amazing to be writing that moment and crossing that line right on the page and seeing the ugliness of it and having to deal with it. It's a very weird thing.
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What's the trick to writing a good bad guy? Well, for me, it's always been the idea that you pit yourself against authority, you know? I think that's what it takes - and then you can write villainous characters.
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The only people worth writing about are those about whom the last word cannot be said.
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I enjoyed needling the press. If I didn't enjoy it, I wouldn't have done it. Writers have rarely played, so as a coach, you have antagonistic feelings about some guy writing up the story of the game who's never even attempted to play it.
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I would absolutely be interested in doing a Broadway production if it was the right project. But my dream is to be writing pieces of theater for my best friends and putting on plays in New York City and seeing our vision come alive. I just hope to always be creating.
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When you are writing something, you can’t anticipate how an audience is going to respond and the fact that people can associate with it is very satisfying.
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In the fall of 1989, I was writing 600-word columns at the 'Herald.' My heart always was in long-form narrative writing, though. It's what I cut my teeth on at the 'Boston Phoenix.'
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After ten years of word processing, I can't even do hand writing anymore.
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I started off writing kind of big summer, blockbustery kinds of movies, but at that time, I had no name, nobody knew who I was, and somebody told me I can't write movies that are going to cost $100 million to make and expect someone to buy them; it was just impractical.
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These are old issues. Female power, misogyny, the treatment of women, how you make meaning in the world. And these are all issues that I've been thinking about and writing about for a very long time.
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I like a fine wine. Who can beat that? I don't think it helps writing; I think it's a hinderance. It helps numb you.
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Success means being heard and don't stand there and tell me that you are indifferent to being heard. You may write for the joy of it, but the act of writing is not complete in itself. It has to end in its audience.
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Writing has never been an intentional endeavor to me. I know a lot of people have experiences and then sit down and try to sort them out through song, but whenever I sit down to write, it comes out hackneyed or overly saccharine.
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I've always wanted to have a book published - it was a dream of mine, but the thought of actually writing a book made me feel really sick.
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I've always been a 'write first' artist: the drawings are always in service of the writing.
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I've only suffered writer's block badly once, and that was during the writing of Chamber of Secrets. I had my first burst of publicity about the first book and it paralysed me. I was scared the second book wouldn't measure up, but I got through it!
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Writing is a conversation with reading; a dialogue with thinking. All conversations with older people contain repetition. Some of the ideas mean a lot to me, just interesting, so I both embrace and attack the ideas because I found them, well, delightful.
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I used to write poems more when I was younger, but I haven't in a long time. I just write ideas and paragraphs and go from there.
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I'm writing for the sake of writing music. Whether it gets heard or not isn't an issue for me. It keeps my own juices going and my mind active.
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When I was a kid, we used to play this thing called 'the writing game' with our father. My brother and I would play it - where first person writes a sentence, and the second person writes a sentence, and the third person writes a sentence, and so on until you get bored and have to go to bed.
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When you're younger and a little more innocent, you write whatever [lyrics] comes naturally. But as you get used to writing you try to steer the sound and music to different music and throwing in the "kitchen sink" of sorts into the music. With that way, you end up putting in much more than before and you could even make much more next time around.
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Is there a secret? Yes. Anaïs Nin and Pauline Réage and Anne Rampling and Erica Jong all knew it. E. L. James knows it. It is the secret behind all of our writing. And our reading. Arousal starts in the mind. And grows in the mind. The brain is the most erogenous zone in a woman’s body. That is our secret. And it is what we share.
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I’ll get a glimmer of an idea and the rest is just chipping away. It’s a long process, and most of my music undergoes many changes over the weeks or months that I’m writing. The songs change during touring, too, but the recording process always comes first.
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We've all got to earn a living. And writing songs is what I do. But when I've done a record, it's not that I think it's better or worse than anyone else's, but if I think that nobody else would have done it if I hadn't, well then that's ok.
