Writing Quotes
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Writing the songs at the cabin, I couldn't help but be drawn to the boom-chicka rhythms as much as I tried to fight it. But when I fought it, the creative process was interrupted, so I ended up going with it. If I'm ever accused of being derivative of my heroes then I would take that as a compliment. I like staying close to the roots of my influences.
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For me, novel-writing, by its nature, contains months of feeling lost, gloomy, fatally misguided. The challenge has always been in assuring myself that by setting one foot in front of the other, I will eventually make my way out of the desert.
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It's painful to consider anything but writing.
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Being able to incorporate my language into songs is really cool. It's really cool to see that people are susceptible to it. It helps with writing a lot to turn off one language and then go to another.
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I don't read a lot of inspirational books for life. But for writing, I think the two best books are The War of Art and William Zinsser's On Writing Well. I read a lot of classics.
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Writing is a vessel...with readers the ocean and authors as its sails.
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If you think reading a book is hard, you should try writing one. Because it's even harder. It's still not as hard as writing a game, though. If you discount the purely visual pop-up parts, a book is made almost entirely of words. As a novelist, you just need to think of a few decent strings of words and then fill the other 98% of the book with more or less random descriptions of things and exclamation points.
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Research is not an obstacle, something to be frightened of. It can be one of the real joys of writing.
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I like reading, writing, hiking, camping, free running, surfing, rock climbing, long boarding, and so much more.
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Well, language seems to be something that obsesses me. I'm always writing about it.
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While I was in high school, I discovered and began writing science fiction.
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The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen for the reverberation.
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There are people who read Tolstoy or Dostoevski who do not insist that their endings be happy or pleasant or, at least, not be depressing. But if you're writing mysteries - oh, no, you can't have an ending like that. It must be tidy.
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Songs are like my children, from the concept phase, to writing, to recording, then editing and all of the work that went into it and the millions of listens. Then you move away from it and you never see it again.
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Oh, dear, it's quite true what Dr. Reilly said. How does one stop writing? If I could find a really good telling phrase... Like the one M. Poirot used. In the name of Allah, the Merciful, the Compassionate... Something like that.
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Real seriousness in regard to writing being one of the two absolute necessities. The other, unfortunately, is talent.
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If you read a book about school - someone else's book - you always translate it into your own school experiences. It's describing the student: he's bewildered and lost in a large crowd in a university classroom. You'll visualize that from your own experiences. So, everything you know is what you're really writing.
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Every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works.
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I'm one of those people who has always struggled with emotions and revealing them. When my dog Orson died, I did this very male thing of 'It's just a dog and I'll just move on.' I was very slow to grasp the emotion. But Orson is the reason I started writing about dogs.
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However, writing software without defects is not sufficient. In my experience, it is at least as difficult to write software that is safe - that is, software that behaves reasonably under adverse conditions.
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I can't help but laugh at all of you writing fake stories about me. I was not in any hit and runs. I don't drink so the DUI is false.
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Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.
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'Sunday Morning Coming Down' is probably the most directly autobiographical thing I'd written. In those days, I was living in a slum tenement that was torn down afterwards, but it was $25 a month in a condemned building, and 'Sunday Morning Coming Down' was more or less looking around me and writing about what I was doing.
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With everything I've done from "Jackie Brown" on, I got really into really writing more prose in the - in what you're calling the stage directions, all right, and consequently my scripts have gotten bigger and bigger, and cut to "Kill Bill Volume 1 and 2."
