Writing Quotes
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My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
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You can't argue with someone who believes, or just passionately suspects, that the poet's function is not to write what he must write but, rather, to write what he would write if his life depended on his taking responsibility for writing what he must in a style designed to shut out as few of his old librarians as humanly possible.
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It's assumed that if you're a woman, you want to be the prettiest version of yourself. It always put me in a bad mood. It was like, "OK, I'm successful. I'm supposed to be happy. Well, why aren't I happy?" Part of the problem was that my looked-at-ness had become a priority over my art making. Over and over again it was like, "I don't have time for this. I want to work." I love writing. I don't love somebody putting false eyelashes on me.
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The writing process remained the same pretty much that we have always done. It’s very collaborative and everyone brings their bag of ideas into the room – we all play guitar, we all write lyrics.
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One book at a time... though I'm usually doing the research for others while I'm writing, but that sort of research is fairly desultory and I like to stick to the book being written - and writing a book concentrates the mind so the research is more productive.
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Basketball requires discipline. So does writing. Basketball requires practice. So does writing. Basketball requires resilience. So does writing.
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I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
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Sometimes writing is hard. You know what’s not hard? Watching Netflix. That’s easy.
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If any of [my stories] succeed in causing their readers to feel pleasantly uncomfortable when walking along a solitary road at nightfall, or sitting over a dying fire in the small hours, my purpose in writing them will have been attained.
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I think the more that I can find myself getting out of the way - like you said yourself - trying to get out of thinking too much, and sometimes something truly special can happen. That's the beautiful mystery of song writing - that you really don't know where these songs come from exactly, and you don't know how you came up with them - and god bless it that you should have the gift of channeling that.
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I had a job right out of college writing for a small newspaper called 'The Unterrified Democrat.' Ghastly, ghastly job.
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People who work in factories or in the woods or maybe a dairy farm - for years, I've been fascinated with people like that. No pretensions. They just live their lives. I found them beautiful. They were all I seemed to be interested in writing about.
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The songwriting community in Nashville really is all about your talent. It's not about your image, and you have to be humble. You have to be kind. You have to have zero ego when you walk into that writing room.
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I went to Aspen right after school and got a freelance gig writing articles for the 'Aspen Times.' I was their nightlife correspondent. They paid me fifty bucks an article.
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It wasn't until I had been writing on and off for maybe ten years that I started to establish any kind of routine, thought I couldn't put a finger on an exact date, and this routine relates simply to the aphorism 'How do you eat an elephant? One bite at a time.'
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The art of writing has for backbone some fierce attachment to an idea.
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I learned to not separate writing, shooting, and editing, it's all sort of one big mess of creative output.
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I think the best thing for us is to just write songs that we like.
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I think, in a weird way, the reason I was drawn to screenwriting and the reason I really love doing it is because I love writing dialogue.
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I got into writing short stories and blogs while on the road.
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Don't get discouraged because there's a lot of mechanical work to writing. I rewrote the first part of Farewell to Arms at least fifty times.
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Every time you write anything, at least half your readers are going to disagree with you. A big part of sports writing is how you respond to that tension.
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It is always pleasant to learn that someone takes an interest in a work which one enjoyed writing.