Ray Bradbury (Ray Douglas Bradbury) Quotes
If you did not write every day, the poisons would accumulate and you would begin to die, or act crazy or both-you must stay drunk on writing so reality cannot destroy you.
Quotes to Explore
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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One of the things I like best about Netflix is that they make projects like 'Beasts of No Nation.' It's a film about a reality in an African country where kids were being used to be soldiers in a war. And it made so much sense to me as a citizen of the world.
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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Canada was my whole world and my whole reality, and now I meet people who've never been there, and it's like, 'You've never been to my whole world?'
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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A crime is like a crack in reality, and it is the author's role to explore those cracks. As a writer, I like to see how they impinge on people.
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The Self is self-luminous without darkness and light, and is the reality which is self-manifest. Therefore, one should not think of it as this or as that. The very thought of thinking will end in bondage.
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When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing.
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After the children grew up, I began to focus on my writing. My first books were part of a trilogy... The 'Wind Dance' trilogy.
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People think New York is crazy and busy, but it's actually a great place for lazy people to live.
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But now - look, I have to take care of myself. I work out every day. I'm a dancer. I've always been an athlete, and I'm one of those people who start to go crazy if they don't run or do something.
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I love the whole process for each new album. The writing, the touring, everything. For me, it never gets old.
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I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
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I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
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I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
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I learned about poise and dignity, and I learned about what it means to be an African-American in television and what that requires in terms of what kind of position you take for yourself and how you define your own reality in a world that is still finding its footing, to say the least.
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Literature should be more revolutionary than revolutions themselves; writers must find the means to continue to be critical of the negative elements in the sociopolitical reality.
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Hey, look, my actions don't necessarily reflect my voting record.
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It would take a lifetime to read all the webcomics published in one year.
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If you did not write every day, the poisons would accumulate and you would begin to die, or act crazy or both-you must stay drunk on writing so reality cannot destroy you.
