Writing Quotes
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There are some sentences you cannot see yourself ever writing. 'I heartily endorse the Conservative Party' would be one. 'I look forward to Justin Bieber's new record' would be another.
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I began writing in the 4th grade. As a matter of fact, I produced a play for the entire school. It was about Leif Ericson and the discovery of America.
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And when we are writing the life of a woman, we may, it is agreed, waive our demand for action, and substitute love instead. Love, the poet has said, is a woman's whole existence.
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What's good about writing is that when you write novels or fiction, people can see that the problems in one region are similar to problems in another region.
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I've always felt writing a song was a bit like going on location. That's true in an almost literal sense. Where you are seeps in somehow.
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The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
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I am into the candle business, have a home store, The White Window, and interior designing is my primary occupation, though writing now seems to have become better known.
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In total, as of this writing in October 2015, there have been 972 mass shootings since the Sandy Hook murders, resulting in at least 1,217 people dead and 3,509 wounded.
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It is my writing dilemma. The world of spying is my genre. My struggle is to demystify, to de-romanticise the spook world, but at the same time harness it as a good story.
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I had the idea of a boy who was a wizard and didn't yet know what he was. I never sat down and wondered, "What shall I write about next?". It just came, fully formed.
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Before writing, I start with a series of questions, specific things I need to know before I can write the book... That list grows and changes as I do more and more research. But when I've answered the bulk of the questions, I begin to write.
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The most important advice I can offer is that writing is a craft that you can learn by practicing. If you keep writing, you will improve.
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After 25 years sitting on my own in a room, I was looking for a more companionable job and wanted to work more collaboratively. I've also been very lucky in my career, with good advances and multibook deals. But there is some extent to which I worried that I was writing for the contract and not for the impulse of the thing itself.
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Most of my writing takes place at a cramped desk in a cramped apartment, so whenever I get to write on a train or make notes on a road trip, it has an entirely different cadence. And I can remember specific writing sessions while on a train through beautiful countryside in a way I can remember almost nothing else.
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I guess you could say I've been writing all my life.
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I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
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I was born in the theatre. My father was a small time impresario on the West Coast and I was acting from the age of 7, but I started to write when I was 12 and by the time I was 14 I was making more money than I was acting.
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I remember a distinct moment when it was my junior year of college, and the content I was making was changing and not really myself, and I tried to switch back to just putting me out there. I'm happy that happened really early in my career, because that was before I started doing podcasts or writing.
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I do think that something of the effect I have on people is to put everything on an edge where they're both infatuated with a kind of charmingness happening in the person or in the writing, and also flatly terrified by a revelation or acceptance of revelation that's almost happening, never quite totally happening.
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It is insight into human nature that is the key to the communicator's skill. For whereas the writer is concerned with what he puts into his writings, the communicator is concerned with what the reader gets out of it. He therefore becomes a student of how people read or listen.
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It wasn't a leap for me to go from not wanting to be in my body as a teenager, not wanting to be in my house, to thinking, 'What would happen if I had disappeared?' And then going from writing scenes of angry kids to thinking a little more about the parents and what their lives would be like.
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It didn't happen in the 70s. So I had a whole decade when I was writing these books and maybe there was a little bit here or there but there was no big effort to ban books.
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I'm very unhappy when I'm not writing.
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If you think reading a book is hard, you should try writing one. Because it's even harder. It's still not as hard as writing a game, though. If you discount the purely visual pop-up parts, a book is made almost entirely of words. As a novelist, you just need to think of a few decent strings of words and then fill the other 98% of the book with more or less random descriptions of things and exclamation points.
