Writing Quotes
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I really was a fan of his and always have been - his writing especially, you know? I think people a lot of times overlook that part, because he kind of got into that party character so heavy.
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I've done a lot of collaboration over the years, but right now I'm enjoying writing by myself and just being me again for a while.
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We all know that the great memories of our childhood are the little triumphs - it doesn't really matter whether that was in writing, art, on the hockey field or on the football field. It's something that makes you feel - 'I can do this stuff'.
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Writing and telling jokes is my favorite thing to do, and I want to be able to do that forever.
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I write for kids because I think the most interesting (and most humorous) stories come from people's childhoods. When I was writing 'Diary of a Wimpy Kid,' I had a blast talking on the phone to my younger brother, Patrick, remembering all of the things that happened to our family when we were growing up.
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Sometimes you write a song in a certain era and it's got a certain kind of significance.
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It's always hard for me to put the pieces together when listening to a finished album that I was a part of writing and playing. There are so many memories wrapped up in each note and each song that it's hard not to constantly flash back to what made that musical event happen while listening.
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I love Bruce Springsteen's writing, but I grew up on '90s hip hop, like Tribe Called Quest.
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Your whole life you are really writing one book, which is an attempt to grasp the consciousness of your time and place– a single book written from different stages of your ability.
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One of the best places for a shy person to meet people is in a coffee shop. If you are a reader, bring a book and read it there - that gives a guy something to ask you about. Same goes for sketching, writing, or any hobby you can take with you.
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If I don't feel like writing on a certain day, I just go to the cafe and hang around.
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There is a difference between writing and being an author. Authors talk. I'm standing here talking now. This has nothing to do with writing.
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There's many, many ways to write a song. But generally, sitting down at a table and writing is not one of them.
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As I write, I am struggling with the ghost of someone I loved and lost. I now understand more fully the difficulties you were going through, and I realize how painful it must have been for you to move on.
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I started writing seriously when I was a teenager, around 14 years old.
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There was no really good true war book during the entire four years of the war. The only true writing that came through during the war was in poetry. One reason for this is that poets are not arrested as quickly as prose writers.
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It's probably simply a matter of temperament that I never stopped to wonder if I could "match" what I had done, never choked off my writing by competing with myself, or with anybody else for that matter. My ambition was absolutely centered on the work itself, never on what it would bring me, or "who" it would make me. I never cared about that at all.
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Children should learn to draw as they learn to write, and such a mystery should not be made of it. They should be encouraged, not flattered... then [later in life] double the effort is required to get the facility which might have been gained insensibly.
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Writing is a form of activism.
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Nothing trains you better to write fiction than being really good at writing about your own interiority.
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First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be understood; we write in order to understand.
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All good books are alike in that they are truer than if they really happened and after you are finished reading one you feel that it all happened to you and after which it all belongs to you.
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I started writing the one-sentence stories when I was translating 'Swann's Way.' There were two reasons. I had almost no time to do my own writing, but didn't want to stop. And it was a reaction to Proust's very long sentences.
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When women are seen with pen in hand, they are met immediately with shrieks commanding a return to that life of pain which their writing had interrupted, a life devoted to the women's work of needle and distaff.