Writing Quotes
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It helps, if you've directed, to be able to write a script that is director-friendly. You're really telling them [directors], "This is how it works on this show." It takes some of the guesswork out of it.
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When you saw the movie "The Curious Case of Benjamin Button," that was Michael [Jackson]'s story write large. Born as an elderly person, Benjamin Button was, in the F. Scott Fitzgerald novel and in the film starring Brad Pitt, he dies as a newborn child. Michael Jackson's childhood was one of enormous, prodigious production.He was a child prodigy, he was a wunderkind.
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On tour, it's hard to do much writing, but if I'm on a deadline, I find a way.
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Unfortunately, most news writing is the product of a first draft culture.
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I think writing is a much more personal thing
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The ideal reader's the same, and I suppose this person has never had a face or a gender or an age. It's just some kind of unknown other who will be sympathetic and read each word carefully and understand what I'm writing about. I suppose every writer feels this.
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I tell my students, if you're interested in marine biology or llama farming, follow that string. Yes, it will probably take you a longer time to write that book, but it's not a race. That's another great thing about being a writer: you don't age out.
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I've known several cases of writers who decide to write about something and they research the hell out of it and when they're ready to write, they can't move because they are so burdened. I start writing. Whatever I need somehow comes to hand.
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That freedom of writing you don't get in other formats, I'd rather leave it to someone else to deal with the headache of drafting my book into a screenplay.
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I had really not been out of the United States much, except for Mexico. I thought, "Jesus Christ, this [Russia] is like a whole new world." Instead of writing Michael Jackson one-glove jokes, all I had to do was go to these weird places and keep my eyes and ears open.
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I never sit down and write. I just sorta let things form in my brain.
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Instead of saying, ‘The writing in this scene isn’t good enough,’ you say, ‘Don’t you want people to walk out of the theater and be quoting those lines?’ It’s more of a challenge.
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We have a habit in writing articles published in scientific journals to make the work as finished as possible, to cover up all the tracks, to not worry about the blind alleys or describe how you had the wrong idea first, and so on. So there isn't any place to publish, in a dignified manner, what you actually did in order to get to do the work, although, there has been in these days, some interest in this kind of thing.
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If you go too far in fantasy and break the string of logic, and become nonsensical, someone will surely remind you of your dereliction....Pound for pound, fantasy makes a tougher opponent for the creative person.
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Being in a room with other people's energy yields such a different result. I love writing by myself still, but there's something amazing about sharing that experience with someone else.
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By definition it uses and plays and delights in time. It delights in the interlacing of chronologies and the consequences of that interlacing. And those have personal and psychological expressions in a character. Aside from other issues of writing, psychological characterization is what narrative can do best.
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When I write a book I'm always questioning the project as a whole. I always feel I might have to just throw it away and forget about it, and I've done that with novels I've started and worked on for a long time. It's an option I need in order to write freely.
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I always felt that my way into comedy would be through my writing rather than my acting.
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When you know your cast well and their strengths and weaknesses, you can start writing for them, just the way Shakespeare wrote for his actors.
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I look at writing as a medium of entertainment. You can get too precious about your stuff. It has to compete with everything else, like DVDs and CDs.
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Write a thousand words a day and in three years you'll be a writer!
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I think that's the most important job of a novelist - to bring authority to their writing.
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My publishers find me really challenging, as a lot of the time, I don't even know what I'm going to be writing about until I sit down to do it.
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I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
