Writing Quotes
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I'm writing for entertainment. I like people to reach the end and feel they got their money's worth.
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Writing is a solitary business. It takes over your life. In some sense, a writer has no life of his own. Even when he’s there, he’s not really there.
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The idea of me writing something that I'd get to be in as well was not what I saw coming. I do think that life works that way. When you kind of let go of something and accept that it hasn't worked, it takes all the pressure off, and then you end up getting it.
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I'm not a believer that you have to write every day. If I felt industrious, I'd spend ten hours a week writing. The writing is going on all the time in my head; the trick is to capture it. Showers are great. Traffic jams are great.
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If you're going to write about the river, you've got to get in.
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I've been approached many times to write all sorts of books about my past and my personal life. I get interest from people who want to do reality shows, and somebody just offered me a huge amount of money to write my spiritual memoirs. I'm just not interested.
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I've always got a whole bunch of things in the works. That's sort of the nature of the business. Even when you're doing something you love doing, you have to be plotting and scheming and writing and preparing for what you're going to do when that's finished.Bunch
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I'm finding writing very fascinating.
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If writing novels is like planting a forest, then writing short stories is more like planting a garden.
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Every time I'm not on a project, I'm writing or in the studio or doing gigs DJing.
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I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
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I used to try to write a song a day. I've been so busy lately.
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I go in for what is known in the trade as 'light writing' and those who do that - humorists they are sometimes called - are looked down upon by the intelligentsia and sneered at.
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Memory implies that there is some static time and place you can go back to, whereas if you relive it by trying to put yourself back in that context, its more nuanced, less black and white. More traumatic, but also more exciting. When I knew I had to write about things that would be painful, I put off doing it for ages. But then eventually the fear of not doing it becomes greater than the fear of doing it.
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I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written.
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From a guitar player's point of view it's generally harder writing parts to songs than finding a part to base a song on.
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I write about love and family a lot, because I'm always trying to figure those things out. At different points in my life, just when I think I've finished writing about it, the dynamics shift, and then I have a whole new set of questions and worries and misunderstandings to wrestle with.
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But being able to talk to so many patients from so many walks of life gives a tremendous window into people's lives. This is not to say I want to write about individual patients, but I think that after listening to the concerns of people who are so different from me, I can more realistically portray characters who are so different from me. Writing Character Thinking Giving People
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When I accept someone's testimony, I am thus only a small part of the full seat of epistemic competence, which might include many others in a long chain. My own contribution might then be slight, just through the perceptual and linguistic competence involved in knowing what someone is saying or writing, etc.
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Like a true artist, never be satisfied that your writing cannot be improved.
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You spend so much time writing a character the way I did with Buddy Baker and then Green Arrow that you start to care about them. And you almost think of them as people, you know?
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I don't for one second think about the possibility of censorship when I am writing a new book. I know I am a person who cares about kids and who cares about truth and I am guided by my own instincts, and trust them.
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I write a lot of material you've never heard that live inside my sadness. You'll hear a song that lasts six to seven minutes of just beautiful sadness. But I can't just go out on the stage to ask five thousand people to be sad with me for seven straight minutes.
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I like to begin every screenplay with a burst of delusional self-confidence. It tends to fade pretty quickly, but for me, at least, there doesn't seem to be any other way to start writing a script.
