Writing Quotes
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Writing and working with producers is like dating - it sounds strange to say that, but you have to test people out. You have to be like: 1) I like your music. 2) I like you, you're a good person. 3) Let's hang out and see if we can work together. And that is where music comes from.
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Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth.... [W]hat can we bequeath, Save our deposed bodies to the ground?... [N]othing can we call our own, but death... [L]et us sit upon the ground, And tell sad stories of the death of kings: - How some have been depos'd, some slain in war; Some haunted by the ghosts they have depos'd.
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I write not for your farthing, but to try. How I your farthing writers, may outvie.
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One of the things I learnt over the years is that there is a craft to writing, like there is a craft to acting. I hadn't done my apprenticeship as a writer. I did try to be a writer for hire but I'm not any good at it.
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That's a very good way to learn the craft of writing - from reading.
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Through Twitter, I've got a writing career and a directing career, as well as hundreds of other beneficial things that have happened to me. I love it.
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So I wanted to write a play that put some thoughts and feelings in the air about the miracle and the mystery and that alluded to deep and unknown forces. But then really just have people going to the store and fixing the sink and going through the normal things of looking for love and getting up in the morning. Because that's how we live.
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There is a huge difference between writing a book, which is a private activity I engage in with myself, and wanting to engage in overly intimate personal conversations with strangers, which I pretty much never want to do.
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Men's evil manners live in brass; their virtues we write in water.
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At the end of the day, we have to write music that makes us happy and the day that we stop loving what we do…we’ll quit.
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My aunt could never understand how writing could be a full-time job. She'd keep asking when I'd get a real job!.
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Restaurant critics all struggle with the difficulty of writing about eating without resorting to the word 'delicious' and its synonyms.
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The mystical life is the centre of all that I do and all that I think and all that I write. . . . I have always considered myself a voice of what I believe to be a greater renaissance - the revolt of the soul against the intellect.
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It’s not the word made flesh we want in writing, in poetry and fiction, but the flesh made word
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It's an easier task to imagine someone's interior world when you feel quite distanced from them. In the same way that I find writing about Australia easier than writing about the UK because I don't have the reality of it in front of me to get me bogged down in trying to be exact.
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Writing is not, alas, like riding a bicycle: it does not get easier with practice.
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I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior FBI-men, discards from Freud and Jung and a sort of Columnist peep-hole and missing laundry list school. ... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.
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Writing 'Jughead' in general is a pleasure because - and I think a lot of very tall guys can agree with me on this - there was a time in my teenage years where I just ate all the time and never got full.
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I don't know necessarily that I would produce under my own company right now. Producing is not something that I'm thinking about. Directing is something that I will be doing very shortly, trying to figure out what to get my hands on. And I can't imagine writing a script and wanting to direct it and not having a producing credit, because I would want to have a big chunk of power on that end, if I wrote something.
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If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back.
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Directing a movie precludes me from being involved in any greater way. But, the job was never to do more, it was always to enable. Sometimes as a producer, you're creating and writing it, or sometimes you're writing and directing it, or other times you're there from the very beginning.
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My writing has always been considered extremely important, even though I make slim-to-no money at it.
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Read Becoming a Writer by Dorothea Brande. Then do what it says, including the tasks you think are impossible. You will particularly hate the advice to write first thing in the morning, but if you can manage it, it might well be the best thing you ever do for yourself. This book is about becoming a writer from the inside out. Many later advice manuals derive from it. You don't really need any others, though if you want to boost your confidence, "how to" books seldom do any harm. You can kick-start a whole book with some little writing exercise.
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I don't sit down to write a song; they just come to me from something that somebody says, or something in the news. The punchline comes to me, and I go over it in my head and get the song form. I hadn't been doing that a lot.
