Writing Quotes
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Looks like the whole music touring industry is on hold for a little while. I’m trying to stay positive and enjoy the time off with my family and do a lot of writing. So far we’re all fine and I’ll keep you updated on…
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I want to stay in the writing long enough to become a falling star of the up-and-coming genre, then a has-been known only by collectors, and finally a rediscovered artist who is finally recognized as a creative giant misunderstood in his own time. Then forgotten again. But if I get removed from the list, it'll probably be because there are just too many damn good writers out there, and any poll of some assortment of editors is going to come up with an equally valid, equally varied list.
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I do bring my teaching together with my writing. I make students write in class, and do the same prompts I give them. I'm always on the lookout for teaching poems - poems that inspire me and my students to write poems in response.
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Never having thought of writing for the guitar, I asked Julian Bream for a chart which would explain what the guitar could do. I managed to write some rather pretty pieces for him, except that the first six notes of the first piece all need to be played on open strings. So when he begins to play the audience will probably think he's tuning the bloody thing up!
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I don't see writing as a communication of something already discovered, as "truths" already known. Rather, I see writing as a job of experiment. It's like any discovery job; you don't know what's going to happen until you try it.
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I never started writing because I wanted to write myself stuff. It was really more that I had these stories to tell, and I wanted to work with people that I respected and liked.
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Editing is work, and it's hard to do while working on one's own writing.
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For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.
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You have to protect your writing time. You have to protect it to the death.
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Writing the songs and producing the songs and arranging them and recording them is your canvas and your palette and your brush.
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I'm not a believer that you have to write every day. If I felt industrious, I'd spend ten hours a week writing. The writing is going on all the time in my head; the trick is to capture it. Showers are great. Traffic jams are great.
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Writing is a way of living other lives. It is a way of expanding your life. It's not actually living a different life, it just means that you're hungry for life. There are so many things you want to do.
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I see so many bands, that are trying really hard to write for a person that they've never met. I get the idea behind it and the idea of helping people, but I feel you help people more by exposing yourself.
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I write what I can. I think being able to write like Michael Connelly and have a character that goes from novel to novel, or to dramatize history like Vidal or Ellroy, or have an explosively inventive mind like Bulgakov, would be an incredible thing. I don't have that. I only have what I have.
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I believe it is important that we Japanese write a constitution for ourselves that would reflect the shape of the country we consider desirable in the 21st century.
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I started writing as soon as I started reading.
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I really like writing poetry and lyrics because it's one thing where I give up control. I don't feel like I need to be in control of it. I just sort of let it happen, and then I know when it's done. I know when it's finished.
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Medicine has an immediate impact, the ability to do good. Writing is such a solitary activity.
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You have to write fiction that mirrors the actual world, which has people of all sorts in it.
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I needed it to have experiences I could write about. I thought I was someone who had nothing to say.
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When I look at a lot of older stuff that I've written, I think one sign of amateur humor writing is when you see people trying too hard.
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Write plays that matter. Raise the stakes. Shout, yell, holler, but make yourself heard. It's time for playwrights to reclaim the theatre. We do that by speaking from the heart about the things that matter most to us. If a play isn't worth dying for, maybe it isn't worth writing.
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More often writing soliloquies of suffering and consolation than collective songs like the dirge, elegists have discovered that lyric sequences can provide a powerful means of addressing the tensions between grief's inchoate emotion and social rituals of mourning.
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To sum it all up, if you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must write dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next.
