Writing Quotes
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That's what you need for your writing - to learn how to be present, learn how to be calm. So take that nap, do that meditation.
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If it has horses and swords in it, it's a fantasy, unless it also has a rocketship in it, in which case it becomes science fiction. The only thing that'll turn a story with a rocketship in it back into fantasy is the Holy Grail.
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We need deliberately to call to mind the joys of our journey. Perhaps we should try to write down the blessings of one day. We might begin; we could never end; there are not pens or paper enough in all the world.
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I do a lot of brainstorming with my editors. Sometimes it just comes out in the writing. I'll get an idea as I'm writing the chapter. I try to go for maximum surprises in PLL, stuff you don't see coming. It's a lot of fun!
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I think people feel for a long time that they ought to know how to write a novel in two drafts.
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Singing always came naturally but the writing side is something I have always had to work hard at to get from good songs to great songs.
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...if you are writing without zest, without gusto, without love, without fun, you are only half a writer. It means you are so busy keeping one eye on the commercial market, or one ear peeled for the avant-garde coterie, that you are not being yourself. You don't even know yourself. For the first thing a writer should be is-- excited. He should be a thing of fevers and enthusiasms.
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I wish there were some photographic process by which one's mind could be struck off and transferred to that of the friend we wish to know it, without the medium of this confounded letter-writing!
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I have like two dreams a week that I have to write a paper that I'm late with or that I've gone back to high school and have to do that in addition to my current job.
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Writing about sex turns out to be just writing about life.
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Any story you write about war, or film you make about war, is bound to be political whether you like it or not.
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Even with college, the reason I wanted to go so badly is because I wanted to major in film. I want to take screenwriting classes and learn more about behind the scenes stuff, because I love people like Steve Carell and Kristen Wiig who are able to write a lot of their own material and be so involved in everything they do.
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I remember writing ‘All I Want Is You' and hoping it would get me out of trouble. I haven't stopped writing songs or getting into trouble since.
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It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment?
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I didn't intend to be writing - the writer's life. I was just writing what came to me at the time, but it is a map of how this writer had to break many barriers to find, not a room of her own, but a house of her own.
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The reason I never wrote a novel is that I don't have what it takes to write characters, so they would all be talking differently. I lack that ability. If I were writing, they would all talk like me, and that's no good.
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Find your best time of the day for writing and write. Don't let anything else interfere. Afterwards it won't matter to you that the kitchen is a mess.
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In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.
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The ideal for me is to mix it up. When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre.
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In a sense, you're always mythologizing your life; it's always an effort to make yourself epic. At least in fiction you can lie and sort of justify your delusion about your "epicness." But when you're writing a memoir, you're trying to make your life epic and it's not - nobody's life is.
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It took a lot to understand that the interest in both writing a story and reading it is not in the objective dangers someone takes. You don't have to fight snakes or wake up in a strange apartment to have a story; it's about what goes on inside your mind and soul.
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Following takes why. Transactions take what. It has to be real. It has to be the same for writing a book.
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Anyone can write. But comedy, you've got to do some writing. You get one comedy script to every 20 dramas.
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What's wrong with it is, it lowers, to say the least, the credibility of the magazine. And if I were writing for The New Republic, I would feel diminished because the owner had done such a thing fire a journalist.