Writing Quotes
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The problem with writing a book in verse is, to be successful, it has to sound like you knocked it off on a rainy Friday afternoon. It has to sound easy. When you can do it, it helps tremendously because it's a thing that forces kids to read on. You have this unconsummated feeling if you stop.
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Sadly, the only constant in my writing environment stems from some inexplicable need to listen to the news. CNN loops over and over in the background from the time I wake until the time I finally, blessedly, fall asleep.
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It is not easy to get parts in mainstream films for most people of color. Hollywood and British writers are not writing parts for us, or the directors are not interested in casting us in parts that are color-blind.
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I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
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I wish I could write easily. I'm one of those guys who's visited by the muse when things are dire.
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You can't predict the number of years it will take for someone to find themselves, to mature into their own voice. When I got to be 30, I was finally writing like Danny Brown.
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When I was younger, I just put off the writing until later in the day, but now I write early every morning to get it done. I can only write for a few hours at a time; after that, my attention fades.
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I have no interest in writing, directing or producing.
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If you're writing fantasy or science fiction, it's really hard to do if you don't know a lot, at least in a basic way, about how the real world works.
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I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
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I'm a fairly fast, but sloppy writer, so I'm a big fan of re-writing, and re-writing again.
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I've done that quite often, but I've got to be quite honest... as much as you would want to only do one at a time, sometimes projects overlap and there's nothing you can do. Sometimes you to have begin writing a new project just as you're finishing off another.
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My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
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I remember, when I first rapped, I was writing raps. I don't write raps at all; I stopped early. I don't know - it seems like every day I find something a little bit easier.
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If I don't feel like writing today or for a few days, I don't. And I don't think about it. It is not an obligation-it is the greatest privilege.
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All the details of the life and the quirks and the friendships can be laid out for us, but the mystery of the writing will remain. No amount of documentation, however fascinating, can take us there.
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There is no other way of writing a novel than to begin at the beginning at to continue to the end.
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I haven't thought about writing so much as potentially producing and finding my own projects to get into production. I want to be able to buy the rights to a story that I have read or a book that I have read.
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It sounds odd, but I was a singer and started writing songs, and I didn't have anything in mind. Maybe it crossed my mind that it would be cool to have a hit record and a career, but that was so out of reach that I don't think I thought about it that much.
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The real pleasure in writing this, for me, was discovering how little you need.
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Take any writer you want in the 19th century: they wrote with quill pens, dipping a piece of goose feather in ink and writing. And yet we read those novels today, and if we're sensitive to them, we respond to them with an immediacy that is stronger than anything written today on a word processor.
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I painted myself into a corner by writing a whole book on this one period. The summer of 1927 came to an end, but nothing else did - all of these peoples' lives went on.
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I escaped the [Southern-writer] label because I didn't and don't write about the South.
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When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.
