Writing Quotes
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I'm just trying to work out how to write music now, because I've never had the opportunity where my number-one priority is writing music. I don't know how my brain works yet.
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Of the authors writing in English, I'd mention Shakespeare and Milton. But all this is terribly high-hat and makes me sound very po-faced, I'm afraid; however, I just happen to like these enormous, swinging, great creatures.
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When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
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I'm crazy about Diane Von Furstenberg. It's a relationship that's very different; I don't see Diane a lot. So when I saw the article in New York magazine she looked so beautiful and it was talking about her work, too. She set up the interview and it was happening. That's different than someone writing a book about you who you've never met.
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I am basically analytical, not creative; my writing is simply a creative way of handling analysis.
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I like writing for individuals with really rich musical personalities.
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I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
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I always tell audiences when I talk about writing: Writing isn't something I do; writing is something that I am. I am writing - it's just an expression of me.
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I started out wanting to be an actor and I like to give actors as much as possible. I love writing stuff where they can really lose control.
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My relationship with Music Row has always been, from my end, optimistic and hopeful that there is more than one way to approach the writing, recording, and marketing of an album.
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When I'm writing a book, I don't have any responsibility to anyone. I'm solitary. I'm writing on my own. I write by hand. And I write every day. I mean, it's part of my daily discipline.
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The most difficult and complicated part of the writing process is the beginning.
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Like the child, the creative writing student is posited as a centre of vulnerable creativity, needful of attention and authority.
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I was thinking a lot about music, about how music is mixed and how everything is happening at the same time; it just amounts to how the sound is lowered or raised. I was trying to get that with writing.
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An English journalist called Michael Viney told me when I was 25, that I would write well if I cared a lot what I was writing about. That worked. I went home that day and wrote about parents not understanding their children as well as we teachers did, and it was published the very next week.
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I literally left school and went straight into music via art college for a year, and I've been so involved in my job of writing songs that the more actively involved part became channeled into standing on the stage and saying things that way.
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I think I began to like writing a lot more, and to be a better writer, when I did it for a while alone. It made me a little more confident about my style.
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When the simple word processors came in, writing became crisper, less dense - just because of the way we could instantly edit on the screen. Now the ability to mash up words and pictures and links and songs and tweets is what matters. I can't imagine what writing will be like in 2154.
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I think that most people who hire me to do a remix just want it to work in a nightclub, whereas when I'm writing my own album, I don't have to worry so much about 2 A.M.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.
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It's easier for me to sit with the producers and the writers and I give them my feelings and my thoughts and what I think I feel like singing about and then they go away and write it.
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I acted professionally for about eight years, and I was writing all that time but never showed anybody any of it. There just came a point after those eight years when I thought, 'There's a lot I can do with acting - there are a lot of things I can express and do creatively, but there are also limitations.'
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There ain't no sort of orse that I ain't bred, and no sort of dorg. Orses and dorgs is some men's fancy. They're wittles and drink to me - lodging, wife, and children - reading, writing, and Arithmetic - snuff, tobacker, and sleep.
