Writing Quotes
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Before I even knew what that half of my family did, I was interested in performing. I remember being seven years old and up on a stage and loving it. I've always adored it. Not just acting, but the whole process of writing and directing movies, everything that has to do with that part of life. Maybe it's in my blood.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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I've never stopped writing, I've never slowed down just because I don't have something on the radio or a No. 1 or No. 2 record. That doesn't mean that I'm not in the studio planting seeds.
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When you're taking a fence on a horse, you don't think much; your body does all the thinking, and you're over or you're not over. It's much the same when you are doing a tricky thing with a pen. There are times when I'm writing very, very fast.
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I had written many things as a journalist, but I had no idea if I could write something scary or romantic or touching that wasn't me writing about someone else's life story. It was really exciting to try.
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When I'm writing for other people, I have to play it safe.
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The test of one's decency is how much of a fight one can put up after one has stopped caring, and after one has found out that one can never please the people they wanted to please.
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I don't know that it's particularly good for my writing process, but I have gotten some very valuable writing ideas and advice through Twitter and Facebook and other social network sites.
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So the real drama for me is balancing live performances and writing, and one of the ways I balance it is I write in hotel rooms. That's not exactly balancing. Actually, writing in hotel rooms means that I'm refusing to deal with the problem.
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People often refer to a creative ability as a 'gift', and, of course, it is, in that, if I had sat down and logically tried to work out who I was and what I should do, I would never have come up with the idea of writing. It was already there, gratis, a given - a gift.
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Writing 'Redeployment' shook me in ways I never expected.
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I've never written anything that I haven't wanted to write again. I want to, and still am, writing 'A Few Good Men' again. I didn't know what I was doing then, and I'm still trying to get it right. I would write 'The Social Network' again if they would let me, I'd write 'Moneyball' again. I would write 'The West Wing' again.
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In today's time, writing stuff that actually happened is touch-and-go, because you don't want to be too personal. If you are, then it probably won't relate to a mass audience. A lot of times you have to make it sound like it's about everybody else, but you really went through it.
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I think everything we do, on one level or another, as writers, most of our writing is informed by our world view. It's informed by our own understanding of spirituality; things that matter, things that are important to us. I write about things that matter for me.
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Writing and producing television very much speaks to the extroverted part of my personality. I love collaboration, the joint effort of hundreds of people working together to create something. But the other part of who I am is extremely introverted. I love being alone and dreaming up ideas and writing novels.
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It's a sad fact about our culture that a poet can earn much more money writing or talking about his art than he can by practicing it.
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I'd excluded New York from my writing, and then I came back and I fell in love with it all over again. The energy comes from an absence, that yearning for New York when you are not there.
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Writing is a solitary experience. I'm extremely superstitious. If I talk about the book or name the title out loud before finishing, I feel the energy I need to write will be drained. It's so intimate, I can't even share it with my wife.
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As an actor, I come to set, and I have already broken the character down by writing a poem about the character. I try to write in his voice, the way he would write it.
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I love bouncing my words off of someone else's, and the fact that writing a story with someone else guarantees you'll get something you never, ever would have written on your own.
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It sounds funny, but I always try to keep an open mind about what I'm writing about. Sometimes I squeak my opinions in there, but generally I don't. I try to be objective about things that I'm writing about.
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There is an honourable tradition in British public life that those charged with authority at the top of an organisation should accept responsibility for what happens in that organisation. I am therefore writing to the prime minister today to tender my resignation as chairman of the BBC.
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When you go to Nashville and start co-writing, you start doing it as a job and the more you do it the better you get. You know if you build houses for 30 years you're better than you were the day you started. You know the ins and outs, you know all the nuances.
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Don't say it was delightful; make us say delightful when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers Please will you do the job for me.
