Play Quotes
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The continual awareness of what was going on made me feel ashamed I wasn't saying anything. I burst out because I could no longer play that game any more, it was just too much for me.
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Injuries are injuries, everybody has them. You play with it. I don't make excuses.
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I'll tell you one thing: I will always play the sh** out of my guitar.
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We play hard, we take the ball away and the No. 1 thing is we get to the quarterback and we get to the ball. When the ball is on the ground, we usually have a lot of guys around it.
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It's just about really being sensitive, and trying to play a music that is about music.
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I was a repertory actor, which meant that I did a play every week. I was a different character every week; for a year, I was doing 40 or 50 characters.
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To be able to play somebody that says and does pretty much whatever he wants is great.
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I like to play different ranges. When you get really deeply involved in the emotional parts, I enjoy that just as much as the fun and laughter.
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Most people that do play nowadays hit really hard. It was good to get someone that hit really hard early on.
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We need to play a little better, especially on the defensive end. They came in and got into an offensive rhythm.
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It was in the back of my mind. I knew once this contract played out, if it had, that I would retire. It’s one of those things where 75% of you wants to be done with it but there’s that 25% that knows you can still do it and still play.
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The game I play is a very interesting one. It's imagination, in a tight straightjacket.
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I don't want to play fat cops for the rest of my life.
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It's a lot of years. Not many guys get the opportunity to play their whole career with one organization, and I'm very happy.
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I would love to go to smaller places in the UK such as Manchester and Liverpool and play there. It's much more intimate; you got to get down and gritty, getting closer to the people.
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I like television medium because it feels like we're doing a play, and I learned how to act in theater school, so that comes very naturally to me, this format. I like that people can laugh out loud when we're working. I like that we can make mistakes, unlike being onstage, where you can't.
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Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
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It was another day to go to work, and try to play and play well.
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When social critics deplore the materialism of our time and its preoccupation with money, fame, and superficial values, they overlook that the driving force behind the changes we have seen -- one of the greatest periods of change in history -- has been thought. It wasn't big bucks or social status that drove this change. It was, and is, the force of the play of the mind. As materialistic as we may be, playful thinking got us here.
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I actually enjoy playing in Europe because it allows me to develop my game so when I come home I'm doing a lot of things that I learned in Europe. It's definitely taken my game to a whole 'nother level here when I play in the WNBA.
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Let no one say that I have said nothing new... the arrangement of the subject is new. When we play tennis, we both play with the same ball, but one of us places it better.
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Be sure to play "Blessed Lord" tonight - play it real pretty.
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I think the unemployment rate for actors is pretty much the same in Sydney, London and New York. In all three cities, there are more actors than there are jobs. But I do think that there are far more acting opportunities in London and New York than in Sydney, where there are approximately seven actors that you see over and over again in every play.
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I don't want to play with marbles, when God told me to move mountains!
