Play Quotes
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Genes work with probabilities; they don't work with certainties. So most things that you're looking at with these genetic tests, it's not like you're condemned to automatically get the disease or the syndrome. There's a lot of factors in play there.
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You can't play a guy who's just a snake, because what do you draw on?
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For a long time I managed to think two things simultaneously, that I am actually a good playwright, and that the next time I write a play I will be revealed as someone who is no good at all.
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I'm not coming back to play.
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One of the advantages of appearing in such a play is that you begin to understand it properly, I feel Ophelia's tragedy was that she had been so used by everybody and felt that she bore a great burden of guilt.
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Over the years, I have been asked to play these sort of scary frenetic characters that express their emotions physically.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I wanted to play this part: the goofy rock and roller who can't hang up his guitar when it's clear to everyone else that he should.
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In Liverpool we'd only done one-hour sessions. In Hamburg we had to play for eight hours. We played very loud, bang, bang, all the time. The Germans loved it.
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You can't play a symphony alone, it takes an orchestra to play it.
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I was being groomed to be a tennis player for sure. My grandparents and parents realised I had a natural athletic ability and if I was forced to do it, I could probably do well. But all I wanted was to play pretend.
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Life is like the harp string, if it is strung too tight it won't play, if it is too loose it hangs, the tension that produces the beautiful sound lies in the middle.
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I went online with winelibrary.com in July of 1997; that was my first professional online play.
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I just love the hours of the theatre, I love the way it operates. I always say that when you're doing a play it's like getting a shot of B12, and when you do television for a long series you need a shot of B12.
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I shall play Scarlett O'Hara.
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The first thing I wrote was a one-act play that got accepted at a one-act play festival, and I was in it along with Nathan Lane and a couple of other very good actors.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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You play it the way you always play it. You look for matchups, and you go through your progression, and you throw it to the guy who's most open.
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You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."
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I play basketball on Sundays and I'm a very spiritual guy; I read a lot of Eastern philosophy and I meditate.
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I'm not going to be able to play it like somebody else.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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When you play for one run, that's usually all you get. I have nothing against the bunt in its place, but most of the time, that place is in the bottom of a long-forgotten closet.
