School Quotes
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When I went back to New Hampshire after graduating from law school, my plan was to go work for a private firm because I had to pay some student loans off and make money and really just be in the private practice of law. Which can be very rewarding.
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We're spending, on average, three times more for prison than for public-school pupils. That's the dumbest investment policy. It doesn't make us safer.
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You only do exercises in art school. That's not the real thing. A little bit tells you so much. You have to find your own self. And you don't know what you are! But that's what you have to search for.
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I was the dork in high school who sang musical numbers up and down the hallways.
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When I was up in college, I had a friend, and he was the only guy who knew I wasn't going to be able to attend school no more because I had a child on the way. I remember we was right at the lunch table. I was like, 'Man, I should start boxing.' I felt like every fighter that's on TV made a lot of money. I was like, 'You gotta make a lot of money.'
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One goal of law - as we learn in law school from the first day of contracts - is to deter bad behavior.
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After secondary school, the big thing to do was apply for uni in England or Scotland and then just stay there.
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And it sort of jogged a memory of something that I read at school and I read it, and I thought God this is it. So you never can tell. I could find something this afternoon.
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I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.
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When I turned fifty, I decided to quit the mill and go to graduate school.
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I wouldn't want to try to adapt something of my own. It would be like going back to school and doing all my exams again.
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When I got into high school, that's when I stated dabbling in fashion design. I got involved in the theater department's costume design and started to think that maybe I'd major in fashion design.
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I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
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In the early 1970s, I headed to graduate school at the University of Utah and joined the pioneering program in computer graphics because I realized that's where I could combine my interests in art and computer science.
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I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
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I wanted to write plays. I was at Yale graduate school at the time for English literature, not for acting... I liked the idea of collaboration, and I thought if I'm gonna write plays, I should learn something about speaking the lines that I might try to write.
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For the school of grammar has primacy: it is the fairest foundation of learning, the glorious mother of eloquence.
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All my family has very good mathematical abilities - like, so dorky. I was the dork then in school - on any maths exams I'd get 100%. I just knew how to do maths and most people would hate it, but for some reason it just came.
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It was important to my father that I go to Hebrew school three days a week for two or three hours each time. To me, it felt endless. Think about it from a kid's perspective: I would finish my normal school day, then get on a bus and go to another school. That was tough to take.
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Journalists like to say I started off sweeping the pottery floors. But it was just a short-lived part time job doing that after I left school.
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The highest pay cheque my mother ever received funded the building of a nursery school in Shepherd's Bush - the school cost well over three times the money she donated to the making of the film 'The Palestinian.' Unsurprisingly this always goes unmentioned in the press.
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My father was an actor. Both of my older brothers are actors. My younger sister is an actress. For me, that's my job; that's my craft. But then all through school and through drama school, I was gigging and running nights and playing in bands, and I just didn't want to let that go.
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As soon as I went to painting school in New York, I took an experimental film course, and everything clicked and came together. I realized my love of music and drama and the visual arts all came together. This happened in 1989. Since then, it's been a long road of educating myself in every possible way.
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School-leavers unfortunately will come away thinking the First World War consisted simply of 'going over the top' on the Western Front to slaughter in no-man's-land, when the conflict extended so much further, to the collapse of four empires and numerous civil wars.
