Career Quotes
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What I try to do with my career as an actor is what I've learned in the theater: I am rigorous with myself as to whether I'm telling the truth, and I try to surround myself with filmmakers and content creators who are also interested in the pursuit of the truth.
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I was in the doldrums for a while after my athletics career ended in 1992. I spent six to eight hours a day training, for 18 years, and it took a long time to get over the regret that I wasn't competing in major championships any more. All I ever wanted to be was the best. But I find new projects and I keep things in perspective.
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It's very confusing when fame comes early on in your career. You get a little bit bent out of shape in terms of what's important. Fame is like the dessert that comes with your achievements - it's not an achievement in itself, but sometimes it can overpower the work.
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I never wanted to look back on my career and be embarrassed about work that I chose to do. I never wanted to look at character I've done and cringe.
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When you think of Hollywood, you think of the land of opportunity. I always want to have the opportunity to do things conducive to my career.
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My hands. I'm constantly working on my hands. I'm constantly working on my ground game and constantly trying not to get satisfied with where I'm at with my career and where I'm at as an athlete. I'm somewhat happy, but never satisfied.
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Actually I've never had formal training, I was lucky enough to continue working most of my career and aside from sitting in on a couple of classes, here and there, I basically just use my own instincts.
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I wanted to have a political career. I thought studying political science would be the best way to achieve it.
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To make a career as an Irish actor, generally it's the case that you move to London. When you make that move, you do tend to stand out.
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When I'm done my mixed martial arts career, the only people who are gonna remember me and respect what I did and how I lived my life are my two children. That's my legacy, ladies and gentlemen.
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I am uncompromising to the point of huge dissension in the studio. And it's served me very well. My theory and my philosophy is, 'Compromise breeds mediocrity.' Obviously, you have to pick your battles, and the more success an artist has, the more they want to be involved in their own career, which is not necessarily a good thing.
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I just really love doing what I do. I know every career is fleeting and there will be time periods when I don't get the opportunities that I'm getting right now, so I am taking advantage of them.
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I have been able to do a lot of great things during my career!
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Nothing is written in stone, as a career is an unpredictable journey.
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And I didn't, that's why my career was very short lived.
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My personal life is awesome, but there's always more to strive for in my career.
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Before I started Code for America, I spent my career around startups. First it was game developers, small teams trying to make hits in a tough business. Then, when I started working on the Web 2.0 events, it was web startups during times of enormous opportunity and investment.
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I won't apologize for choosing my career over kids.
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We've been performing with symphonies all of our career and it sounds so wonderful when they play 'My Girl' with the large string section, I want to turn around and look.
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I had the most reversed education possible. Every parent wants their son to be a businessman, respectable - me, it was the opposite. When I had an artist career my mum was like, 'Oh finally, I'm proud of you!'
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Obviously, I've been very lucky in general in my career, but I feel that I've been very lucky in terms of having directors come along at the right times who have taken me to the next level of where I needed to be.
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Reading 'Youth in Revolt' might have ruined my career because suddenly I wanted to abandon all the emotional truth of something and just go out far on a literary limb with completely implausible things that relied completely on voice and humor. And what saved me is realizing that I couldn't do that very well.
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Local markets for literary fiction remain underdeveloped; the metropolis often holds out the only real possibility of a professional writing career.
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My film directorial career has been nothing but repetition of one failure after another!
