Career Quotes
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Cartooning is for people who can't quite draw and can't quite write. You combine the two half-talents and come up with a career.
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Over the years, I've learned that a sense of humor is the only skill that allows you to turn sucking at life into a career.
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You're always thinking, What's the next move - the career, the money.
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As you become more senior in your career, it can be thin at the top - It's harder and harder to get unbiased and direct feedback when making decisions. You want people who will speak truth to power. Say no to any 'yes men or women' on your personal board. When you face a personal crossroads, you need honest advisors.
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I've kind of looked at my whole career as a spring training invite.
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I'm an entrepreneur. This is my life. This my career. This the way I eat.
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Maybe it's oldest-child syndrome, but I have always been competitive, even as a kid with sports. It spills into my career.
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Doing 'SunTrap' after 'The Chase' is dipping into something different. That's the whole basis of what I wanted to do with my career. I didn't want to do the same thing all the time.
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Powerful women intimidate men. If she's a really well-known woman, she has a career, she's famous - in that case, men are really afraid.
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My film career was always to support my theater career.
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Nancy Reagan sort of downplayed that, you know - but she was quite successful. At the time she married Ronald Reagan, I think she was keenly aware that [Reagan's first wife] Jane Wyman's career had eclipsed Ronald Reagan's, so she was very determined not to have that happen.
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For some reason, I find that in the course of my career I've worked with more women than most men have.
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I was very young, and I was on vacation with my family, and there was a retrospective of old films, and one of them was 'The Phantom of the Opera' with Claude Rains that was in color. It was something very important for my career because I began to follow these stories that were morbid.
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Through most of my career, I've made a decent living making movies no one wants to see.
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I don't like being away from home. That's one reason why I don't work as much as I used to [when I started my career], because so many things are on the road. I just don't want to be away from my husband, my dogs and my home. I don't sing that much any more because that also takes you on the road.
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I'm heavily influenced by European and American cinema, but the further I get in my career, the more I find myself looking back East for inspiration.
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There's a danger of some of the best people saying, 'I don't want a career in science.'
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Career diversification ain't a bad thing.
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I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
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Life has a balance and natural order. I'm not fighting the flow anymore. My career right now is very up. It's happening naturally and it's happening well.
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I used to dye my hair different colors and have crazy periods, especially early in my career when I played in Italy.
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I would say that when I came into this chapter of my filmmaking career, starting with 'The Fighter,' there was this sense that you have to go from your instincts and you have to go from your gut, and you have to not hesitate and you have to not hedge.
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You know, when you first come up, and you get called up to the big leagues, all you want to do is just, you just want to have a career, a nice career. You want to make a living at it.
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I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All of it's riddled, on- and off-camera, with people I've known and worked with for decades.
