Recordings Quotes
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I had a recording contract with Capitol Records. I loved recording and being in that studio. I made four albums.
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Chance in music doesn't have to involve the I Ching or rolling dice or throwing yarrow stalks. It can involve an out-of-tune guitar, or other impossible-to-replicate moments of awkwardness - even more so than an awkward, out-of-tune live performance, because there's something incredible about the way that an out-of-tune guitar becomes part of the song on a record. I won't be precious and say it's part of the composition - that's nonsensica l - but chance occurrences are so crucial to what's distinctive. It's the fingerprints all over so many of these recordings.
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The end of 1996 and beginning of 1997 brought a Pearl Jam European tour and the beginnings of preparation for the recordings of "Yield.
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My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.
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There is a definite difference between live shows and the recordings. The recordings are for all time, hopefully, so you do want to bring across layers of subtlety. But the live show is this primal experience that everybody's having at the same time, that the recording can at best try to imitate or duplicate.
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I made so many recordings with junky mics and crappy mixing consoles, you have to use what your tools are and in some ways that's been inspirational.
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I don't know if everybody does, but I have a really hard time listening to myself on recordings, unless we've spent weeks and weeks and weeks listening and mixing.
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I'm sort of socially inept, so music is my way to connect to people. It's a means of socializing and having a life. Otherwise I wouldn't bother. I would just make home recordings and play them for myself. And that's not really healthy.
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Technology is great, because you can edit and put things together from some of your demos. With this record, there’s a lot of elements of demos and recordings that we did that we managed to put in to the proper recordings that we’d done later.
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I got more used to my own voice, but still it's hard for me to listen to my own voice, or hear the recordings.
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When digital technology started becoming the norm, you've got 50, 60, 70 years of recordings on tapes that are just deteriorating. Like, a two-inch reel of recording tape won't last forever. It dissolves. It will disappear.
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One of the challenges obviously with doing an accent from a time period early in history is that there aren't recordings. You would never really get the opportunity to hear exactly what you were shooting for.
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Duke Ellington's career traces the entire history of jazz. The repertoire associated with him contains the most important elements in the music and provides concrete examples of some of the best ways to present the music in the widest variety of settings-radio, TV, recordings, movies, concert halls, festivals, solo, small ensemble, big band, symphony orchestra, opera, Broadway shows.... You name it, he did it!
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Never have so many recordings of the great Masses and motets been in wider circulation.
