Movie Quotes
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At Pixar, we believe strongly that filmmakers should develop ideas they are passionate about. This may sound like a no-brainer, but in fact in Hollywood, the big movie studios have whole departments devoted to acquiring and developing projects that will only later be paired with a director-for-hire.
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When we did Wayne's World, it was 14 million dollars and they didn't bug us too much because they just thought it was some little movie that nobody was ever going to see. We showed them.
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You have to make sure you have a relatable emotion through the movie. You have to check your ego and go into a territory and recognize that nobody knows you. You go back again and again, and by the third time, you are a star.
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At that time they said I was crazy because I wanted to make a movie that was 14 or 16 hours. But now people do it. There are three-'Hobbit 1,' 'Hobbit 2,' 'Hobbit 3.' Everything I wanted to do is possible to do today.
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It's incredibly, incredibly difficult to get a movie made.
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If your agent or publisher is jumping up and down at the thought of your novel, it's because they're picturing the movie poster on the side of the bus.
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I think 'Cyrus' has a lot of fat in it. It was a $7 million movie. If you're going to make a movie with famous people, you don't necessarily need to spend 7 million dollars. Make it for less than that, and you'll be able to sell it and make a ton more than that, and everybody shares the profits.
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In Hollywood, for me, it's all about the movie stars and the singers. Baseball players don't draw too much attention; we're low key. I'm good with faces and sometimes bad with names, but I'll walk up to somebody if I know who they are... show them some love.
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I must have auditioned for this movie at least 25 times. This was a 4-month process. I have to check my sources on this but, I think I beat out Cameron Diaz's record for how many times she auditioned for "The Mask," with how many times I auditioned for this movie.
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The consumer is deciding what they want to see and when and how, and filmmakers are more aware and accepting of the fact that success is not predicated on your movie showing in a traditional theater for a certain amount of time.
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I like 'Notting Hill.' If you can do a movie that's simple, but do it well, there's room for that.
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Your movie becomes much more narrow-minded when you have like-minded department heads. Whereas if you can surround yourself with people who have been a mother before, been a grandmother before, you get a much broader and wide-reaching swath of human emotions.
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This is the world we live in, isn't it? Tons of spin-offs; people reboot things very quickly. I was amazed how quickly they made a Wolverine movie, then, 'Let's do another origins Wolverine movie.'
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You know what, I'm very interested in acting, but right now I'm busy promoting my album and going on tour because that's my first love, but I'm very interested in doing some parts that may come my way. I've been offered a few movie parts so far, but I have to really concentrate on singing. But it's something I'm interested in doing eventually. I haven't been offered a part that truly inspires me to take time off, though.
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If you look at the movie 'Belly,' I identify with Sincere the most. I am a gangster. I love my lady to death. I'm not in the game for the wrong reasons. I'm not in the game for the glory. I'm in the game to survive so the people that I love could be straight. I'm a highly intelligent individual.
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The heart of Dragon's Lair has always been its compelling story. With Dragon's Lair 3D, we think the team has really created an interactive animated movie.
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The Dardenne brothers do a movie almost every year, and they put everything together to have a comfort.
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I think that a good movie creates its own world, and that world needn't refer to anything that's real. If it's consistent, if it's entertaining, if it's interesting, it justifies its being there.
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I wasn't hanging around the movie theaters in New York where I grew up, a Manhattan brat.
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If we got $100 million dollars to make a movie, I don't know if we should be making a $100 million dollar movie our first time out.
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I had dreams of conehead aliens when I was little. Before 'Saturday Night Live' did it. And then they came out with them, and I went on to be a glorified extra in the movie. When everyone else was laughing, I was scared.
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I've tried like hell to make bad movies good, and I can't. Maybe Marlon Brando has been able to do that at times. But even he has a hard time making 'The Appaloosa' a good movie.
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A producer is supposed to generate an idea for a movie. And then they're supposed to create the team, the group of people that are gonna make this movie. And within that team, the producer has to have a creative vision and a fiscal vision, and they have to adhere to both things.
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Sometimes when we weep in the movies we weep for ourselves or for a life unlived. Or we even go to the movies because we want to resist the emotion that's there in front of us. I think there is always a catharsis that I look for and that makes the movie experience worthwhile.
