Movie Quotes
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There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that "he's not reading." And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
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I have more pet peeves than anybody: people talking in the movie theater, people eating in the movie theater loudly, people being rude, people making noise when you're supposed to be asleep, like drilling noises outside. I could be here all day.
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Write the kind of movie you would want to see, in a genre you love.
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I've always seen in Westerns it described or it's shown very vaguely, but I wanted this - I want us to show what they're doing to them, so you can actually see it. And if you notice in the movie, you know, it goes even beyond just scalping and stuff.
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If I find something and feel as though I can contribute to [it] in a way and feel I'm in it, whatever that means, I'm expressing something that I feel is a way to exercise my talent and help communicate a role as a human being in a movie, I will do that.
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Here's the thing about 'Cabin in the Woods.' I did virtually no research on this movie.
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There will be a Skype movie soon... someone will crack the code, and it will be great. Then, there'll be 30 Skype movies, and we'll be like, 'Oh, that's boring.'
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If you really analyze my music, there is a lot of violence in my music because the Bronx, at the era and time I was coming up, was almost equivalent to how a 'Braveheart' or 'Gladiator' movie would be.
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I think the danger in trying to set too many things up or do too much world-building in a movie so soon is you forget to actually make a movie.
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I think that what we were doing with the live musical version of 'Shrek' was taking the ideas and the structure of the movie and not necessarily reinventing it but reimagining it. It is a very different medium to perform.
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When you make a black-and-white movie with two people in it in 2016, you're taking a swing at something.
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So, it didn't do well. But now when I talk to kids who are first seeing it, they're surprised to hear the movie failed at the box office. Sometimes that's what happens.
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I think in television and film, it's not usually the child's point of view. It's the story of an adult. If there's a child in a drama or an action-adventure movie, they're someone who needs to be saved, someone who needs to be protected, or if they're killed, someone who needs to be avenged. Their character doesn't matter much.
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With my first pay cheque I sent my parents to Jamaica, so they actually got passports! They're pretty grounded; it wasn't until they saw the trailer for 'Battleship' that they were like, 'Ooh, this is a big movie, isn't it?'
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I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
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I think by default I wanted to be an actor because, on a movie set as a little kid, the only thing that you can do is be an actor. And I was really enthralled by the whole process.
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Life is the movie you see through your own eyes. It makes little difference what's happening out there. It's how you take it that counts.
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I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot.
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I wanted to be a movie star. But movie stars are not what they used to be.
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I think I'd be too scared to direct my first movie and put myself in the center.
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I personally have not spoken to Marvel and have no plans to do a movie in the immediate future because, number one, I'm tied up with 'Somnia,' which is a fantastic place to be. It's exactly where I wanted to be.
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I've taken classes most of my life, and it's no secret among my friends I want to be in a movie about dance. Maybe 'Step Up 2,' with the delightful Channing Tatum.
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A lot of the reason the Universal version of 'Heights' went away is that they were afraid they didn't have a big enough Latino star to bankroll this movie. The people I dealt with at the studio who wanted to make this movie were very passionate about it.
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It seems astounding to me now that the video games are perhaps as important as the movie themselves. And people will spend 2 or 3 years obsessing about the video game in exactly the same way that they'd be obsessing about the movie if they were working on that.
