Movie Quotes
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I've never had an actual haunting experience, in the way you might anticipate a ghost in a movie haunting someone, but I do feel presences around me all the time, and I do feel that memories haunt us the way ghosts haunt us or might haunt characters in a film.
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I think for most people, the audience probably couldn't tell the difference, but I know they [shots of visual effects] can be better. And the people working know they can be more precise. I'm still doing another round of sound mixing and color timing, pretty technical stuff. I think the movie [Life of Pi] is really presentable, nothing was left out that would take you out of the movie. I just need to perfect the job and I still have two weeks to go [to deliver final cut to Fox].
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I tried softball and soccer. I just didn't take as much of a liking to it as I did sitting in a movie theater and watching people recreate a story, and doing it myself, as well.
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Let us say in the pocket of one of my old coats I find a movie ticket from many years ago. Once I see the ticket, not only do I remember that I saw this movie, but also scenes from this movie, which I think I have entirely forgotten, come back to me. Objects have this power, and I like it.
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I've always seen in Westerns it described or it's shown very vaguely, but I wanted this - I want us to show what they're doing to them, so you can actually see it. And if you notice in the movie, you know, it goes even beyond just scalping and stuff.
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My movie career - if such a thing even exists - is laughable.
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When I was seven or eight, I was bought a fantastic book called 'The Movie Treasury of Horror Movies' by Alan G. Frank; it became my bible. It's packed full of the most amazing photos and is still fantastic to look at.
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I've been in the game long enough to know what elements you have to package together to get a movie into production.
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In keeping with Miramax tradition, I was instructed to find the 'hottest young stars around' to cast in the movie. I got a list of two names: Michelle Monaghan and Casey Affleck. I was lucky enough to get them both.
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I just think the David O. Selznick story is one of the great, epic stories of Hollywood history that nobody knows. Maybe one of the reasons why nobody knows it is because he wasn't a movie star.
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People have this delusion that everything has to be for everybody at all times. Every album must be liked by everybody, and every TV show must be liked by everybody, and every movie must be liked by everybody. Everything then becomes bland.
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Of course I love the action. I absolutely love doing action movies; it's what makes me tick, but I think my dream role is a movie that Will Smith's company has called 'Paper Wings.'
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Postal will be so politically incorrect and harsh, it's like a mirror to American society, and I don't think the movie will be well received by anybody. For example, Osama Bin Laden will be one of the lead characters—I think that shows the mood of the movie.
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[On the movie "American Hot Wax:] A plot so thin you could thread a needle with it.
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The part of Mike Wallace drew me to the movie because I thought, what an outrageous part to play.
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A movie is made for an audience and a film is made for both the audience and the film-makers.
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It's hard for me to play seated theaters because people tend to sit down and get a little bit complacent, so it's less energy. It's just very dry and dead. People start to feel like they're watching a movie. The environment when they walk into it, it's not standing room only, smoking and drinking and rock 'n' roll. So it's a little bit dangerous to do that.
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To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.
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I ended up falling in love with the whole movie-making experience.
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There's that weird and cool line that music can cross where it still gives you the goosebumps and you think it's cool but on the other hand it's sort of like also letting you off the hook a little bit with the ironic aspects of the thing. I think that's the inexplicable, the smell of a movie. That's the taste of the movie.
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Movies are becoming more global, which is making them less intimate. If you make a movie for the world, you don't make it for any country.
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I don't want to just sell out shows to young girls who like my movie franchise. I want to sell tickets because people respect me.
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I understand why some kid in his bedroom in Wisconsin thinks downloading songs couldn't hurt anyone. True fans will buy the CD or go see the movie after downloading, but to say it doesn't affect anyone - come on.
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Roger [Corman] didn't actually hire me, though. I was hired by AIP [American International Pictures], the studio that made the picture, which was Sam Arkoff and Jim Nicholson. It was a great learning experience for me, because not only did I work on the script, but they hired me back to go on location when they were making the movie, to write new scenes and so forth.
