Movie Quotes
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I think making a movie or a record, the best things happen by accident - and those end up being the magic. Every time I've followed my gut it's been better than when I've tried to do what I was supposed to do.
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When I was a kid, I thought I would be an action-movie hero. I was like, "They're gonna be able to CGI my legs by that point." And then I realized that it was probably better if I stayed a little closer to who I actually am rather than trying to be Bruce Willis.
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'The Karate Kid' was just lightning in a bottle. The second movie is a very worthy sequel, because you got to explore the Okinawan culture and learned about Miyagi's life. The third, as is always the case, was made because the second one made a lot of money.
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I'd love to do a really juicy drama that's just really real. On the comedy side, I'd love to do something like '21 Jump Street.' I cannot stop watching that movie. Really funny, really extreme comedies are definitely my favorite.
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If you look at the movie 'Belly,' I identify with Sincere the most. I am a gangster. I love my lady to death. I'm not in the game for the wrong reasons. I'm not in the game for the glory. I'm in the game to survive so the people that I love could be straight. I'm a highly intelligent individual.
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For me, Glasgow is all about the people and the spirit of the place. You have enough Gregg's bakers, though, I'll say that. The opening of the 1977 'Star Wars' movie was possibly the only time I've seen a longer queue round the block than in Glasgow for sausage rolls. That was quite an eye-opener.
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In London there was an article about all these girls bending it like Beckham, and in India there's this big wave of girls playing football. Wow! I can't believe a movie's done this!
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I would never do 'Stardust Memories' because I don't particularly like that kind of movie - that would be why I wouldn't do that.
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I'm very grateful for work especially in film industry. It's highly competitive and there are a lot of people standing behind me jumping at the opportunity to only do one thing, like one movie or one TV show or one episode.
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With a horror movie, you don't want to anticipate where things are going to go.
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It was so hard to watch myself back because whatever movie I do, I never look at the monitor. I hate looking at the monitor.
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I want to make a film that is commercially successful because that means that the larger cinema-going audience around the world like the movie, which is my goal. That's my job, to make films that people respond to.
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That's why modern corporate movie making has become so laborious that comedians are kind of kicked out by 50.
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I tell you one of the great things about this movie is, with all that's going on around the world right now, it's just good to go to a movie where you don't have to think too hard, just have a good time, and relax and be crazy.
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What you don't see is scarier than what you do. Categorization is always kind of arbitrary, but people have called 'Preservation' a 'psychological thriller.' To me, psychological thriller basically means 'a horror movie without the blood.'
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'The Whole Nine Yards' I liked right away. It was kind of a dark comedy at first. And just the idea of being in a movie with Bruce Willis was pretty exciting.
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I think the family movie is very important to everybody right now.
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Every time I do a movie, I think it's going to be a huge hit.
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I hope the next actress offered millions to play the 'fat girl for the day' stops to think about this before she signs the contract - even if just to ask, like any professional actress would in any other situation, 'Why does she weigh 350 pounds? And why me for the part?' If the director can't answer these questions, don't do the movie.
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The factors that laid low so whooping and puissant an empire as the old Hollywood are many. I can think of a score, including the barbarian hordes of Television. But there is one that stands out for me in the post-mortem.... The factor had to do with the basis of movie-making: ‘Who shall be in charge of telling the story.’
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'Baby's Day Out' is maybe not a great movie, but... No, I've enjoyed and learned things from every project I've worked on. That was an important step in my career at ILM.
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Usually, when I'm at a festival with a movie that I'm in, I'm in and out in 24 hours.
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Sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality.
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I never really think about what people are going to think of the movie afterwards. Or what people are going to call me. I just want to make a great project, and my focus is really all on that. And then I really don't read reviews. Like, you know, go on comment boards or anything.
