Movie Quotes
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Even if you look at the 'Paranormal Activity' movies, at the end of the movie things get really crazy and nutty, but they all start in a very mundane situation that people can relate to, and that's also to some degree what we tried to do in 'Chernobyl Diaries.'
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Usually when I am approached to do a score for a horror movie, it's to attempt a repeat performance of what I did way back on 'Hellraiser' or 'Jennifer 8' - one of those really orchestral scores.
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To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.
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There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.
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Jerry picked up the technique of visualizing the story as a movie scenario; and whenever he gave me a script, I would see it as a screenplay. That was the technique that Jerry used, and I just picked it up.
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I remember when I saw 'Eternal Sunshine of the Spotless Mind,' I wanted to go out and direct a movie right there on the streets of Manhattan. Unfortunately, you can't without permits.
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Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios.
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I’m a movie star. Can I talk to my entertainment lawyer?
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My goal on my bucket list is to write a romantic comedy movie.
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Have I seen The Commitments? I was obsessed with that movie. I just watched it again about two weeks ago.
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My girlfriend is much better than I am at working hard then resting, and she demands that from me, too. She insists on having time when we don't do anything. We leave the housework and watch a movie.
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The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book.
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I didn't do anything for two years but work on 'Gone Baby Gone,' and it was miserable and hard, but at the end? It is a good movie. I liked it very much. If it had been dismissed and deemed worthless, it would been definitely devastating. But that didn't happen.
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People aren't buying records like they used to, so it's nice to try to figure out a way to make them do it. I would enjoy the same thing to own an old movie house, to try to trick people to come in - like having 3-D or Smell-o-Vision or Vibra-Vision or something. Mcguffins to get people interested.
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There's nothing I've ever worked on that beat 'Game of Thrones' - that's a 10-hour movie; they put a lot of money in it.
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There will be a Skype movie soon... someone will crack the code, and it will be great. Then, there'll be 30 Skype movies, and we'll be like, 'Oh, that's boring.'
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I can't make a movie unless I believe in the themes behind it. I mean, that's the first question I ask myself, always, is, 'What is this movie about?'
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I think that, in the beginning, you think, 'I want to be the biggest movie star in the world.' And then, with the more movies you make, you are like, 'I don't know if I want to be that anymore. I think what I am looking for is something different.' I like acting, but a lot of times, stardom comes with a lot of strings attached.
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Roger [Corman] didn't actually hire me, though. I was hired by AIP [American International Pictures], the studio that made the picture, which was Sam Arkoff and Jim Nicholson. It was a great learning experience for me, because not only did I work on the script, but they hired me back to go on location when they were making the movie, to write new scenes and so forth.
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Ultimately when I throw myself behind a movie, I have to really believe in that director's vision.
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Obviously, SNL has a lot of viewers, but the potential for a movie is through the roof.
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'Breaking Away' was a great experience. It's the kind of movie that engenders a lot of goodwill from people.
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Occasionally I'll be a producer for hire on a larger budget movie, but with Blumhouse Pictures, we mainly focus on micro-budget, under-$5-million-dollar movies. That's what we're in business to do, and that's what we're in business to make.
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You don't get a chance to take a breath but when you do, you have some really good comedy moments that ease up on the tension that the movie is centered around which is Kim being kidnapped and her son and husband being kidnapped and the jeopardy that they're in.
