Movie Quotes
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I watched 'Iron Man 3' the other night, and my chin was on the floor. 'Vikingdom' is a different type of movie, because it's rooted in reality. The characters are more real; they're not these superhuman people who can fly and do things.
Craig Fairbrass -
You re-watch 'Napoleon Dynamite', and there's a lot of thrift shopping that goes on in that movie; there's a lot of funny stuff. It's definitely amusing, and paying 99 cents for a samurai sword is amazing.
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I have a lot of repression. So repression is what I make movies about.
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Who wants to get really granular with sabermetrics when you're going to see a two-and-a-half-hour Brad Pitt movie? You don't go to the cinema for a maths lesson.
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I like storytelling movies and more than that I like historical movies; and I think someday I'll definitely make a movie about the past 50 years history.
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When Broken Lizard writes a movie, we reject everything that doesn't have five guys as leads, so it needs to be cops or a basketball team; that's what we can do.
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The only sci-fi movie that I've ever been offered that, had circumstances been different, I would have definitely done, was 'Avatar.' And I literally couldn't do it because of my schedule. But listening to James Cameron talk about 'Avatar' was so fascinating. Because he literally invented the world in his mind - and it literally existed.
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If you have a movie that doesn't strive to go to a certain emotional point, you can do anything and it will be fine and funny. But if you have something pretty emotional at its core, you have to make it right. You don't want it overwrought or unearned. Everything has to be moving towards this one thing.
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I'm kind of like an open wound all the time, and that's hard. It's hard to deal with, especially in this industry. Every time I leave a movie, I feel like I'm going to die. Because you connect with these people, and then they all leave. I wish I wasn't like that, but I am.
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I don't feel very glowing, especially after wearing makeup - and not necessarily my choice of makeup - for 12 hours straight on a movie set. When I'm playing a character, her look is sometimes different from my own.
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When you're doing a movie, it's finite - you have a trajectory of where your character's going, and you follow that. Then the storybook closes.
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It's almost impossible to get a movie all together when there are two main cast members, let alone an ensemble cast with everyone's schedules. It's crazy if it works out.
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I am not a scary movie/book kind of gal.
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The first 'Star Wars' movie had come out in 1977 and had become this huge phenomenon with all the toys and everything - it just kind of swept America. But internationally, it was also a big deal.
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'Animal House' was my first movie, so I didn't have anything to compare it to. I was a sight gag more than anything else. So I can't say it was one of those things where your life changes. When the movie came out, I had to ask for the night off at the bar.
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I was not a kid who watched every movie. I watched a very small number of movies over and over again.
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In high school and college, I'd set a bunch of goals for myself. I wanted to be the lead effects supervisor on one of these really big, innovative visual effects productions, something on the scale of a 'Star Wars' movie. And I wanted to work on a project that wins the Academy Award for best visual effects.
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I gravitated back to theatre again, and when I heard about this little independent movie called 'Lady Bird,' I thought, 'This will be a project where I can dip my toe back into the water.'
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If you have John Goodman in your movie, you want to use him as much as possible.
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I'm not just saying this because I'm in the movie, but I really would recommend 'Secretariat.' It's fun, inspiring, and it's a great movie to take your little kids, brothers, sisters, or nieces and nephews to see that actually has real people in it and not animated characters.
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I'd love to do a romantic comedy. And perhaps, if the character was right and I had a good gut instinct, a Bollywood movie. And I'd love to direct. One day. I'm learning a lot on the set of 'The Good Wife.'
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I now hate actors that blink too much on screen. When people blink, I turn the movie off. So I don't blink at all.
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My debut feature, 'The Baby-Sitters Club,' got good reviews and made good money for what it cost. But it took me six years to get to direct my second feature. I think a guy would have had another movie out the same year.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great in a kind of realistic normal story without throwing objects to the camera, but using the 3D on the emotions in an intimate story.
