Movie Quotes
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The people in L.A. do orient themselves to light. I used to call it 'Tan Fascist Culture.' Everyone there is tanned, wears dark sunglasses, looks like a movie star even when they're not.
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Everybody - even huge movie stars - have downs. That's just how it is. The work ebbs and flows. My manager and I were saying, 'Let's remember that in 2013 we were soooo busy.' So whenever it is that we're not, maybe it'll come back again. Maybe it won't. But you've gotta love the ride.
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I actually love actresses who look like they feel really natural. I like Patricia Clarkson, Laura Linney, Frances McDormand. Those are actresses where the second they show up on screen you're like, oh my gosh, this movie just got so much better.
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I work out two or three times a week, whether it be a run or a workout class, a hike... I really try and mix it up a little bit so that it keeps me interested. I have a gym in my house, so if all else fails, I'll get on the running machine and book a movie or some crappy reality TV and just zone out.
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There are so many things that have to go right for a movie to be good that it's a miracle whenever one is.
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When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
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Hand-drawn animation is something that I feel really strongly about. A Pixar movie may be really great, but it looks like it was drawn by a machine.
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Angelina Jolie may get Antonio Banderas in bed for eight hours on a movie set, but I get him in bed everyday.
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My hand still shakes when I sign autographs. I still go and sit in the movies like everyone else and look up there and go 'God! Movie stars! Wow!' And I'm in this business. I walk out there just fascinated, and I always want to stay like that. I'm just a little kid going to these movies, and I don't ever want to change.
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I once dealt with a prima donna on a movie set. I won't say who, but his first name is a country. A communist country. Run by Fidel Castro.
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I have never been in a violent movie or television show.
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Here I was, having done a thriller and a horror movie - why did I have the audacity to make a romantic fantasy? How can I continue to make genre films? Well, maybe I don't want to continue to make genre films.
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The Farrelly brothers make movies the way you imagine a movie set would be when you're a kid - fun all the time.
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I think the audience doesn't know a movie's lit, but they feel it. Because you've walked in a forest many times, or in a park, so you know how it looks. When you start lighting, subconsciously you know there is something that is absolutely wrong.
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I was fortunate because my mum shared my love of film with me, so we would go to the movies twice, three times a week, and we would watch movies at home. As a teenager, instead of going out, we would have these huge movie nights in. But I almost failed drama at school. I hated it. It was all about the history of theatre.
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No one in Hollywood really knows what a good idea is before a movie hits the screens. We only know if it's a good idea after it's done.
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It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame.
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I've never directed before, so I need to make sure that people know that I can. The movie that I've written, 'The Sophisticates,' is a... small ensemble comedy and I hope it's charming and funny.
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A lot of people in the movie business don't have a point of reference for me; nobody really knows who I am.
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My theory is that there's a knee-jerk reaction against technology in movie making.
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In this day and age, you need a lot of patience if you are in the movie business.
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On a really big budget movie you do chemistry reads, and you sort of hedge your bets a little bit more and make sure that these people get along. But on the low budget side of things, I have to trust my gut that when I cast these people, the various elements are going to play together.
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So many large movies come to you with a huge marketing campaign and it's like you have to see this movie this weekend, otherwise you'll be culturally bankrupt and can't converse with your friends.
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When I started writing, I was reading people such as Tom Clancy or Michael Crichton, who did 'Jurassic Park,' which is possibly the most action-filled book you'll read, apart from mine, and I said to myself, 'Why aren't these guys doing big-scale action like you would see in a movie?'
