Movie Quotes
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I had actually sent an audition tape for Simon Pegg's movie 'Hot Fuzz,' which came to nothing. Four years after the film released, out of nowhere, I got a call saying the producers of 'Game of Thrones' wanted me to play Hodor after they had seen that particular tape.
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My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.
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When you're picking up and moving, it does create... well, I can sleep anywhere, which is really useful, it turns out, on movie sets. But what it really does is teach you how to adapt and change and fit into a new group or school, and that really is a lot like turning up to a new movie project and finding your place.
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If you need to do a movie where you have an army of 10,000 soldiers, that's a very difficult thing to shoot for real. It's very expensive, but as computer graphics techniques make that cheaper, it'll be more possible to make pictures on an epic scale, which we haven't really seen since the '50s and '60s.
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I want to make a movie that has enough impact that it's going to do what it needs to do. But I don't want to make a film that serial killers masturbate to.
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Being on the run wasn't fun, but it was something I had to do. I was actually working in legitimate jobs. I wasn't living on people's credit cards. I was living like a character out of a movie. It was performance art.
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I want to continue to make beautiful movies. The most important thing is to be a part of beautiful stories, that's all I want. So I don't care if it's a Hollywood movie or an independent movie or a Spanish or American movie. I care about telling stories.
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And I did a movie called Basil with Jared Leto and Christian Slater.
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I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at.
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As far as entertainment, 'The Right Stuff' is a good movie. As far as a documentary of the early space days, which they purported it to be, it is not at all.
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I'm trying my hand at directing. I'm doing an independent movie that we haven't started casting yet, but it's like an edgy version of 'Lethal Weapon' and '48 Hours,' only with two women in it.
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I can direct breakfast, lunch, and dinner. I take pride in my kitchen, but I'm not going to direct a movie.
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How serious can a movie about time-traveling robots be? You want it to be cool and fun.
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My parents were big movie-musical fans. And I thought 'Grease' was different from the usual MGM musical. I was intrigued and fell in love with it.
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I also love horror movies; I like me a big Peter Berg action movie. I'm a movie lover in general.
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I think Hispanic women are beautiful with their curves. I'm not sure who feels that way in Hollywood. I was never told to lose 50 pounds. If they think that they just don't bother with you. You just don't get the role and you never know why. That's still better than physically harming yourself and becoming unhealthy just to star in a movie.
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Years later I made a movie with Wayne Newton, who has Arabians.
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I always get compared to looking like a silent movie star - though I don't know if that's a compliment, honestly.
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To make a movie is very stressful, especially when you work with your father. You want to think the movie is good. Even when I don't work with my father, I want it to be good.
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Bob Balaban is so perfect that the first movie I did with him, I couldn't talk to him because I was so intimidated by him.
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I don't want to admit it, but I do enjoy the feedback from the audience. It's instant feedback. It's like, you could do a movie, shoot it for a year, wait six months, it comes out and you gotta do three weeks of marketing. Three weeks of that, and everyone goes, 'It sucks.'
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I grew up when I was 15 when I had my first opportunity in movies. I watched every great movie for a year and a half, and since then I've asked myself how I can emulate such artistry. That's really my motivation. I want to do something as good as my heroes have done.
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If there was no Hollywood, no next movie, no deal at Warner Brothers, no place in Malibu or Venice, I would still be really happy.
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It's so nice to run into people even now who - if I'm out, a couple of times a week, somebody comes up to me and says, 'I just loved you in '50 First Dates.' That movie is my favorite movie. I just watched it last night.' In my head, I'm always thinking, 'You're kidding me. I never watch anything twice.'
