Movie Quotes
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I remember seeing a movie with Jose Ferrer and Rosemary Clooney where they were husband and wife, and they got in bed, and he had on polka-dot pajamas and she had on striped pajamas, and when they got up the next morning he had on the striped pajamas and she had the polka dot pajamas, and that was considered racy at that time!
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We can't keep begging or expecting people to give us an opportunity to make a movie or to represent our culture in the right way. They're not from or neighborhoods and communities so of course they can't truly relate to our experience. It's our responsibility to properly protect our people and to properly give them opportunities for employment.
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I always wanted to be part of a movie that creates a different world.
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I know it's hard to blame the time, but there's a bit of an expectation for a summer movie. I think that 'Superman Returns' was a bit nostalgic and romantic, and I don't think that was what people were expecting, especially in the summer.
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I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote 'The Rose,' and through a series of divine things that I had no control over and had no idea were going to happen, it got in the movie, and that changed everything.
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In the modern road-running era, digital photography has intersected with weekend-warrior culture, creating a golden age of social-media humblebragging. For some, the marathon course is sacred ground. For others, it's a personal movie set.
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Providing 'freemium' cloud storage to society is not a crime. What will Hollywood do when smartphones and tablets can wirelessly transfer a movie file within milliseconds?
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Don't say you love somebody and then change your mind ... Love isn't like picking what movie you want to watch.
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A movie doesn't open the opening weekend and then get burned -- they don't destroy it. It lasts. So what about Raging Bull ? Do you know how much that made opening weekend? No.
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My favorite sci-fi movie of all time is 'Close Encounters of the Third Kind.'
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To be in a Pixar movie is just great to begin with, and it has afforded me the opportunity to do a different medium because I have never done voice-over before. And I love it.
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People who would go to an arthouse cinema and watch a Swedish movie and read subtitles... it's a small percentage.
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The movie industry can be tricky and occasionally creepy, and I have this sense that the music industry is just shady as hell. I don't want to be a part of it.
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I worked in a lot of cinemas when I was at college, and I'm a movie dork, and it's a nice thing to do while you're on tour. Everything is different a lot of the time - you're never in the same place - but I like going to the cinema because it feels like no matter where you are, the experience is really the same.
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We often hear of a male director directing a great indie and immediately being offered the next huge comic book movie. Rarely, if ever, does this happen to a woman.
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If the studio wants to spend money on making your movie better, let them.
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I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'
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I want to tell the story. Mostly, when you see rock movies, it has to be this over-the-top thing. I want to give people a Bret Michaels movie where they see that my life is a comedy of errors. I also want to show my fans how to get through the kind of troubles that would leave most people flat on the floor.
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There was a movie I was trying to make right after 'Monster,' a bigger behemoth: the Chuck Yeager story. It was a life dream, but it just didn't line up. We just had issues with the life rights, ultimately.
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I'm really proud of Twilight. I think it's a good movie. It was hard to do, and I think it turned out pretty good. But I don't take much credit for it. So when you show up at these places, and there's literally like a thousand girls and they're all screaming your name, you're like, why? You don't feel like you deserve it.
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When I began making films, they were just movies: 'What's the new movie? What are you doing?' Now they're called 'adult dramas.'
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I don't really watch a lot of TV, to be honest. I'm more of a movie girl, or I Netflix stuff.
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You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
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No one I knew in Sydney was thinking about how they might come to America and become a movie star. That would be considered delusions of grandeur. My parents were supportive, though. They just told me to keep at it as long as I was having fun.
