Movie Quotes
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Sometimes I'll be flipping through the channels and I'll see a movie I'm in. And I'll probably stop and think, 'Sure, I'll watch this.'
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It was just a wonderful experience, one for the memory book for sure. The sad thing about it was that the picture came under this absurd cloud of controversy. Here was a movie based on the central theme that racism is something that is taught, and it's illustrated by this story of a dog and the efforts of humans to re-train it after it had been trained to go after black people. And it created this ridiculous controversy and wound up being the last Hollywood movie that Sam [Fuller] made.
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I wanted to make a movie about the arbitrary nature of love.
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I had a Taco Bell audition where I had to wear a huge sombrero and walk around like an idiot. I got call-backs for the movie 'Twister,' did small independent stuff that I won't name. But it led to all my breakthrough moments on 'Entourage.'
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I got 'The Grey' made because Liam Neeson wanted to make that movie.
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My theory is that there's a knee-jerk reaction against technology in movie making.
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I would like Albert Brooks to have received the Oscars for best actor, best director and best screenplay for 'Modern Romance.' I love that movie.
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When I start a movie, the first day, I feel like a duck.
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You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
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Being on the run wasn't fun, but it was something I had to do. I was actually working in legitimate jobs. I wasn't living on people's credit cards. I was living like a character out of a movie. It was performance art.
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Unfortunately, many talented people in Hollywood find their values and politics do not reflect the content they create, and many movie themes are in direct contrast with over half of today's American families.
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Comedies don't get nominated for Oscars. It doesn't happen. So when we set out to do a movie, it's not what we're thinking about.
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There's no deadline that a movie has to be made by. We have to believe that we have served the responsibility, however long it takes us to get to that point.
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For me, I feel like, if the right movie comes along, I'd do it again. It's not about the budget. It's about whether it's something that I'm excited to work on.
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I really didn't want to leave the show, but I got a chance to do a movie, which meant I would have had to miss two shows, and at the time Lorne had a policy where you can't miss shows, so I left.
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I think we shouldn't be shy of thinking that we can interpret text like a movie again, depending on the point of view and what we do with it more than anything else. Of course a lot of remakes of important films, particularly of horror films, they suck.
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I just hate that Lucas... and it is not just Lucas, because everybody does it, where, boom, they get it out, and then there's a special edition for a movie that doesn't deserve a special edition.
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I'm not saying anything that's unknown, but movies are always cut down and there's a lot of complexity within the film that is not always widely accepted by the general audience, which is just a reality; a movie of a certain size, they don't want people to be too - it's a balance of how deep to keep going with these ideas.
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It is very different hosting and judging a show like 'Love School'; it was unlike acting in a movie or series or being part of a reality show. But I keep telling myself that I have just one life, and I have to make the most of it.
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The nice thing about 'Futurama' for me personally was that it was a way to honor some of the traditional ideas in literary science fiction, not so much movie or television science fiction - although we have that too, obviously. Our situation, a workplace comedy, led to all sorts of stuff.
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If someone puts up $100 million on a movie, they're gonna be concerned about whether they'll get it back. So they're not gonna make a movie about three girls, you know?
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We deserved it. I mean, if you get a pummeling, you deserved it. But isn't it wonderful to remember a time that America was once so innocent that all we had to worry about was the next 'Batman' movie?
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Jonathan Lynn is one of the last actors Orsen Welles used in a production. It was wonderful. He's very sharp, very sharp. It's funny I've been asked how weird it was to have a Brit do a church gospel movie.
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I like 'The Fault in Our Stars.' I thought those two guys did a really, really good job. The movie obviously did really, really well.
