Movie Quotes
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Marketing is always a tricky thing with a rated R movie. Sometimes people just get what it is and they want to come see it, and sometimes you have to explain it more.
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This is not a movie about smelling the urine! It's another kind of movie." Volker Schlöndorff got Billy Wilder to agree to these conversations - you can buy it - because Volker spoke German at times. And he said to Billy Wilder: "What is in your mind?" And he said: "If you're going to try to tell the truth to the audience, you'd better be funny or they'll kill you." And I haven't forgotten that.
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We were producing 'La La Land'... and then we weren't. So it was a very painful topic, but I'm happy the movie was as successful as it was. And, of course, I wish we had produced it.
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I have never really had a goal to be a true blue movie star, unlike a lot of my colleagues.
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Hopefully, when people see 'Senna', they will understand why this inspirational story needed to be told, why it had to be made as a movie for the big screen, and why it is a film for everyone.
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I like film books at the bottom of the barrel and art books at the top. 'The Ghastly One,' by Jimmy McDonough, is a hilarious biography of one of the most hideous directors who ever picked up a movie camera - Andy Milligan.
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I've had some great times with actresses, but that's in a movie.
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'Tomorrowland' is very much the dream role for me. I've always wanted to do a movie like this. Movies like this aren't made anymore, and it's so cool that I get to be a part of it. I get to do something new and crazy every day, and my character goes through so many different things. I get to do all of it. It's awesome.
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'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
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You know you're in a bad movie when the Catholic clergy is being played by Jews.
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I won Miss Teen World, and then a movie rep saw me on the pageant website and thought that I had the perfect image for the role in 'Madrasapattinam.'
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Was it my lifelong ambition to be in the movie business? No.
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I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
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Favorite movie of all time? I hate being asked... that's like being asked, 'What's your favorite song?'
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The reception for 'Enemy?' I don't care. No matter what other people think, it was important for me. I will stand for that movie, even if I stand alone.
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Movie is an industry without job security. As soon as a job is done, you have to find a job. But I think doing different stuff makes you better at other stuff: Acting makes you better at stand-up, which makes you better at writing.
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This movie 'On the Road' with Kristen Stewart - they were trying to make that movie for 30 years. She says she wants to do it, and they can finally make it. You have so much at your disposal if you're in a successful commercial film.
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There's nothing I hate more than going to see a movie and thinking, 'That could have been an hour shorter.'
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I can't tell you how scary it can be walking onto a movie and suddenly joining this family, it's like going to somebody else's Christmas dinner, everyone knows everyone, and you're there and you're not quite sure what you're supposed to be doing.
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I see the first 'Bourne' movie as really kind of a fulcrum in changing the modern action film, where things are really gritty and really character-driven. Think about how the entire Bond franchise was completely radicalized by Bourne.
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A great movie, in my opinion, is one that tells a familiar story in an unfamiliar way
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You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'
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I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.
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'Cloverfield' and 'REC' are great examples of movies that took kind of tired genres, the monster movie and the zombie film, and by filming them in found footage, it was a new perspective. It gives you a whole new take and helps you re-experience that all over again.
