Movie Quotes
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I did a series for teenagers and kids called S-Club 7 in LA for Fox Family Channel. And I did it because the children, everybody's children, they don't know who I am. They know I'm the-lady-in-the-movie-they-can't-see. And I was actually offended by that because I think I've done a lot of wonderful work.
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It's a difficult undertaking. I've been married for four years and I see this movie as a cautionary tale about people who've gone deeply out of communication.
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I like a movie that the audience actively has to participate in, and not just casually observe. Whatever my part in it, just as an audience member, I find that exciting.
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We originally developed 'The Client List' along with Lifetime as a TV movie - my manager and I became partners on the project. Then, we brought in Howard Braunstein on the project and produced it along with Lifetime.
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I really loved 'Fast Five.' I thought it was a brilliant movie. I thought it was so well done, well directed. The action sequences were really well thought out. It looked fantastic.
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I also couldn't pass up the opportunity to be in the same movie as Jack Nicholson and Glenn Close.
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I am so excited about the 'Goosebumps' movie; I am geeking out. I was a huge fan of the books.
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This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it.
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My husband loves the '90s; he's an avid '90s movie watcher, and it drives me insane. Nothing real came out of the '90s! The bad bathing suits that came up too high on women's hips came out in the '90s!
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'Tampopo's amazing. I think it's an absolutely fantastic movie, but I don't think it captures for me the meaning of food.
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You're always in a tunnel that you can't see the end of. But there's something that took place on this movie that I don't think we expected and that was that once we decided that the entire cast would be real retired opera singers and retired musicians... and these people the phone hadn't rung for them for 20 or 40 years even though they can deliver.
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If your taste goes wrong or you listen to other people's tastes too much, even though they could make a fantastic movie out of it with their own tastes, if they blend their tastes with mine, it's probably going to be a mess.
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So the city [Pittsburgh] was faced with that question of "What to do now?" because it can't turn back the clock and be what it once was. So thematically, it seemed like the perfect location for the movie. And then, it's a matter of how we get that feeling into the picture and make it a part of [Michael] Chabon's story.
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It sometimes feels like a strange movie, you know, it's all so weird that sometimes I wonder if it is really happening.
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I think it's really important to have a life and have interests outside of this movie business, and not rely on this business to validate you as a human being. If you do that, you're really in a dangerous spot.
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You still get the movies made. A filmmaker can always scrape up money to do a movie. The passion drives it. And you'll get the money. Money's the easiest thing. But the hardest thing is finding a way for people to see your movie.
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When I played the Shins, I changed someone's life. When I play Belle and Sebastian in a pivotal scene in my next movie...well, let's just say I made sure I that I can't be held legally responsible for all the deaths people will suffer out of shock upon hearing them. They're a terrific band.
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Yeah, I mean, I think I'm obsessed with tone in the movies. Tone has always been the main thing that I go after with a movie.
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I've done a movie and a TV series, and someday I'd like to do a successful movie and a successful TV series. That would be nice.
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You set out to tell a good story. You don't do it because there is a deep message involved because the movie is almost always bad when you do that.
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I would've given my right arm to do something on the 'Ray' film, the movie about Ray Charles.
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Christopher Guest, he'll call and say, 'We're doing this movie, and I'd like you to play _' and he gives you the character, then I always like to enlarge on the character.
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When I'm working on a movie, I'm in my trailer playing guitar. And then on the road, I read scripts and think of... it just keeps both fires burning. I kind of need both.
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I won't make a movie for money ever again.
