Movie Quotes
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So the city [Pittsburgh] was faced with that question of "What to do now?" because it can't turn back the clock and be what it once was. So thematically, it seemed like the perfect location for the movie. And then, it's a matter of how we get that feeling into the picture and make it a part of [Michael] Chabon's story.
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I've been on the wrong end of violence, and I've done violence myself... I refuse to glorify violence in my movie and television roles.
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I think any movie star who refuses autographs has a hell of a nerve.
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If someone was making a movie about F1 in the last six months, they wouldn't need to add a Hollywood ending. If they do make that movie, it's got to be 'The Curious Case Of Jenson Button,' where I've lived my life backwards. I'd like Johnny Depp to play me but he wouldn't be quite right.
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When movie people go over into television, it's a little bit of a shock. It's much faster-paced. Everything is really last-minute. You won't know your schedule for the next episode until the last minute.
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James Woods is great. I actually did a movie with James Woods in 2000: 'John Q.'
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I'd like to make movies as a producer and a director.
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I do not have to watch late-night television, watch a movie, to find out what combat is like.
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If you look at history, and if you look at all these different things that have threatened the movie industry - from Betamax tape to DVDs to the Internet - in the end, it has always turned out right, because ultimately people want to see that stuff.
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A movie star is someone people look at and go, 'I want to be like that person'. There's the responsibility of desire. It's not something I'm interested in trying. I would fail miserably at it, so why even bother?
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I guess historically, drag queens were imitating movie stars and luminaries. It's kind of nice to have a movie star imitating a drag queen.
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Nat doing 'Fault' was the greatest thing for our band, and the only reason that our song got in it because Nat was screaming it in the movie. Now we can say that we have a song in 'Fault in Our Stars,' and we have a thousand fans who went to listen to our music because we performed at an event for 'Fault in Our Stars.'
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With more mainstream filmmaking, the problem is who’s making the decisions. They’re not artists. The key creative decisions are being made by lawyers and accountants-that’s a very precarious situation. It’s precarious because it really does matter. Icons are being made and manufactured. People say it’s just a movie-but it’s not.
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I've always wanted to do a movie, and I really feel the urge to do it.I'm in Hollywood - I have no business not being in the movie industry.
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The difficulty of getting a movie made through a major studio is so extreme that when a movie comes out, everyone should give it four stars because it was accomplished.
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A superhero movie is only as great as its villains.
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The heartbreak that it might not happen wasn't something that I wanted to face with any more weight. Then, when I got the call to go ahead I never thought for a second as I was approaching it who I would get - that would come later. Again, I think the idea was that I now had the rights to make the movie and I can start writing it but if I have to wait another 10 years before I find an actor that's right for it, I'd be very happy to do that.
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Every movie I make. That’s my hideout, the place I don’t quite understand, but feel most at home.
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I make movies to be watched the way I want to watch them, and I want to watch them in movie theatres.
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We want to make movies for the big screen. We want people to go to the theater and feel like they're watching a movie.
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When I was a kid I feel lonely, I have not many friends. If you make a movie, then you can work with different kinds of people and make different kinds of friend. That's very important to me.
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I wrote three mysteries and then a contemporary spy novel that was unbelievably derivative - completely based on 'The Conversation,' the movie with Gene Hackman. Amazingly, the character in the book looks exactly like... Gene Hackman.
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Nothing feels worse than knowing that people didn't see your movie. That they wanted to and the critics loved it but nobody knew where it was because it didn't do what it was supposed to do opening weekend. It used to be that independents were allowed to stay in the theaters, build word of mouth.
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I think that my strength as a villain is that the people watching me know that Chris knows that he's in a movie. He's playing. He's having fun. He's going bang, bang. You know, 'What's that?'